Captain Humphrey comes to.
Captain Humphrey lay upon his back staring at his conscience. He was weak from loss of blood, weaker from fever; and he would have fared better if he had had proper medical treatment instead of the rough but kindly doctoring and nursing of Bart the surgeon, and Dinny the hospital nurse.
This was after three weeks’ doubtful journey, wherein Dinny said “the obstinate divil had tried all he knew to die.” And it was so ungrateful, Dinny said, after the captain had saved his life, and that of all the prisoners who had not also been obstinate and died.
Humphrey’s conscience was a great stone god full twelve feet high—an object that looked like a mummy-case set on end, as far as shape was concerned, but carved all over in the most wonderful way, the grotesque and weird bas-reliefs almost destroying the face, hands, and feet of the figure, flowing over them as they were, so that at first sight he looked upon a great mass of sculpture, out of which by degrees the features appeared.
The old artist who designed the idol had strange ideas of decorative effect. He had cut in the hard stone a fine contemplative face; but over it he had placed a gigantic headdress, whereon were stony plumes of feathers, wreaths, and strange symbols, while pendent in every possible direction about the body were writhing creatures and snakes, with variations of the human form, engaged in strange struggles, and amongst them human heads turned into bosses or decorations of the giant robe.
Humphrey Armstrong came partly to himself to see the cold, implacable face of this idol staring down at him from the gloom, ten feet from where he lay; and it seemed to him, by slow degrees, that this was his conscience sternly and silently upbraiding him for the loss of his ship and the lives of his men, destroyed by his want of skill as a commander.
Day after day, through his semi-delirium, did that great idol torture him, and seem, with its reproachful eyes, to burn into his brain.
Days passed, and by degrees he began to be aware that he was lying on a bed of comfortable rugs and skins, stretched in a curious room, whose walls were covered with hieroglyphics—thick, clumsy-looking hieroglyphics—not like those of Egypt, but carved with a skill peculiar to another race. Here and there were medallions of heads of gods or rulers of the land. Flowers of a peculiar conventional type formed part of the decorations or surrounded panels, in which were panthers, alligators, or human figures. In the centre of the wall to his right was a recess in which, clearly cut and hardly touched by time, were the figures of a king seated upon a leopard-supported throne—seated cross-legged, as in the East, and in a wondrous costume—while another figure presented to him what seemed to be the spoil of a number of dead and living figures who were trampled under foot.
The room was evidently a palace chamber, or a portion of a temple of great antiquity; and by degrees Humphrey realised that the ceiling was not arched or supported by beams, but by the great stones of which it was composed being piled one above the other, like a flight of steps, from the walls on either side till they met in the middle.
The floor was of stone, and there was a large opening on his left, facing the recess where the carving of the king ornamented the wall; and this opening, once a window, looked out upon the forest, whose dull, green, subdued twilight stole into the place.