Dove and Daws.
“Richard Shingle, Shoemaker. Repairs neatly executed.”
This legend was written in yellow letters, shaded with blue, upon an oval red board. Red, blue, and yellow form a pleasing combination to some eyes; but when the yellow is drab, the blue dirty, and the scarlet of a brick-dusty tint, the harmony is not pleasing. Moreover, the literary artist could not be complimented upon his skill in writing in pigment with a camel-hair brush; for, not content to be staid and steadfast in Roman characters, he had indulged in wild flourishes, which gave the signboard the appearance of a battle-field, upon which certain ordinary letters were staggering about, while three or four tyrannical capitals were catching them with lassoes, which twined wildly, round their heads and legs.
For instance, the first “d” was in difficulties, the “g” was pulled out of place, the “h” and “o” tied tightly together, while just below, the “repairs” seemed to be neatly executed indeed, for the “r” had a yellow rope round its neck, having been hung by “Richard,” beneath which word it was suspended, with the rest of the letters kicking frantically because that initial was at its last gasp.
But this idea, probably, did not present itself to the inhabitants of Crowder’s Buildings, a pleasant cul de sac in the neighbourhood of the Angel at Islington. Crowder, once upon a time, bought two houses in a front street, between and under which there was an entrance like a tunnel, leading to the back gardens and back doors of the said houses; and Crowder—now dead and numbered with the just—being a man of frugal mind, gazed at the gardens of his freehold messuage and tenements, and saw that they were useful as cat walks, to make beds growing oyster and other shells, and vegetables of the most melancholy kind. He let the fact dawn upon his understanding that the vegetables grown might be bought better for sixpence per annum, and resolved that he would utilise the space.
To do this, he built up two rows of staring-eyed, four-roomed tenements, sixteen in all, separated by twelve feet of pavement, whitewashed them as they stood staring at one another, and turned the two garden deserts into a busy, thrifty hive, where some twenty or thirty families flourished and grew dirty.
The occupants of the two houses in the street complained, and left; but Crowder let the houses at a higher rent without the gardens—let the little tenements each at ten shillings a week, and turned out those who did not pay; and for the rest of his life collected his own dues, did his own painting and whitewashing—even plastered upon occasion; and at last, while repairing a chimney-stack and putting on a new pot, at the age of seventy-five, like a thrifty soul as he was, he slipped from the ladder, rolled off the roof of Number 10, fell into the open paved space, with his head in the centre gutter, where the soapsuds ran down, and his heels on a scraper—every house had a scraper, to make it complete—and was so much injured that Nature gave him notice to quit his earthly habitation, evicted him, and, save in name, the buildings knew him no more.
For they passed into the hands of Maximilian Shingle, “broker and setrer,” as his brother said—a most worthy member of society: a sticky-fingered man, who, through this last quality, was enabled to lay up honey in store. In fact, he was so well off that, when Crowder’s Buildings were brought to the hammer by Crowder’s heirs, executors, administrators and assigns, the hammer that knocked them down knocked them into Max Shingle’s possession, and they were paid for with Mrs Fraser’s money—a certain amount in thousands which she bestowed, with her two sons Fred and Tom—upon the man who re-won her heart six months after Fred Fraser senior’s death.
It was a retired spot after passing through the tunnel, and hence it became the popular playground of the children of the neighbourhood, who chalked the pavement, broke their knees and heads upon its harsher corners, and made it the scene of the festive dance when a dark-visaged organ-man came down to grind the last new airs of the day.
By a great act of benevolence, Maximilian Shingle, who was a lowly, good man, a shining light at his chapel, where he was deacon, had, though inundated with applications for Number 4 when it became empty, let it to his unlucky brother Richard, who flourished under the sign that heads this chapter, made boots and shoes, and neatly executed the repairs in the dilapidated Oxonians and strong working-men’s bluchers that came to his lot.