Here, too, was one of the Indian figures of Buddha crouched upon an enormous bracket at this side of the room, looking in the obscurity like a living watcher of the dead, in an attitude of contemplation or prayer.
Ramo stood in the silent room, holding the silver candlestick above his head, motionless as another statue, so much in keeping was he in his garb and colour with the surroundings.
But he was keenly watching every one the while, and, taking his cue from a mute question addressed by Mr Girtle’s eyes to Paul Capel, he walked solemnly to the head of the heavily hung bed, softly drew back one curtain, and held the candle over his dead master’s mortal remains.
Paul Capel felt a natural instinctive shrinking from approaching the bed, but he did not hesitate, stepping forward with reverence, and even then his heart gave a throb of satisfaction that one of his female companions should have stepped calmly to his side.
Lying there as in a darkened tent, with a couple of Indian tulwars crossed upon the bed’s head, was a perfectly plain oaken coffin of unusual size, and without the slightest ornamentation save that on the lid, resting against the side, was a brass breastplate bearing the dead man’s name, age, and the date of death.
Within—wrapped in a rich robe of Indian fabric, glittering with flowers wrought in gold thread—lay the Colonel, his face visible, and presenting to those who gazed upon it for the first time, the fine features of the old soldier, with his closely cut grey hair, ample beard, and the scars of two sword cuts across brow and cheek.
There was no distortion. The old man, full of days, lay calmly asleep, and Paul Capel bent down and kissed the icy brow.
When he rose his companion pressed forward, and, as he gave way, imitated his action, when, to his surprise, he saw that it was not Katrine D’Enghien, but Lydia.
A low sigh fell upon their ears as they were leaving the bed’s head, and Paul raised his eyes to see that the old Indian was watching, and in the semi-darkness he saw him quickly raise a portion of Lydia’s dress and hold it to his lips.
Drawing back, they gave place to Katrine and Gerard Artis, who walked to the bed’s head, stood for a moment or two, and then, as if moved by the same impulse, both drew away. The old Indian stepped back with his candlestick, the polished silver of which seemed to glimmer and flash in the gloom, the heavy curtain fell in its funereal folds, and the group turned to Mr Girtle.