“That we ought to be married now, and it would make him a better man.”
“And you told him it was impossible?”
“Yes.”
There was another sigh as if of relief on both sides, and the two girls kissed again and parted.
It was a brisk quarter of an hour’s walk to the Van Heldre’s, which lay at the end of the main street up the valley down which the little river ran; and on entering the door, with a longing upon her to go at once to her room and sit down and cry, Madelaine uttered a sigh full of misery, for she saw that it was impossible.
As she approached the great stone porch leading into the broad hall, which was one of the most attractive looking places in the house, filled as it was with curiosities and other objects brought by the various captains from the Mediterranean, and embracing cabinets from Constantinople with rugs and pipes, little terra-cotta figures from Sardinia, and pictures and pieces of statuary from Rome, Naples, and Trieste—there was the sound of music, but such music as might be expected from a tiny bird organ, whose handle Mrs Van Heldre was turning as she gazed wistfully up at a bullfinch, whose black cap was set on one side, and little beady eyes gazed down from the first one and then the other side of their owner’s little black stumpy beak, which it every now and then used to ruffle the delicate red feathers of its breast or the soft grey blue of its back.
The notes that came from the little box-like instrument—a very baby of an organ—as Mrs Van Heldre turned, were feeble in the extreme, but there was a method in the machine which piped forth most irregularly and in the most feeble way the quaint old French air “Ma Normandie;” and as Madelaine heard it, her broad white forehead grew perplexed and a thrill of misery and discomfort ran through her.
“Ah, my dear, I’m so glad you’ve come back. Where’s papa?”
“I have not seen him, mamma.”
“Busy, I suppose. How he does work! But do look, dear, at this tiresome bird. He’ll never learn to pipe.”