The Master of the Ceremonies

by George Manville Fenn

The trouble at his house seemed to be forgotten, and in the pursuit of his profession to serve and be observed—gentleman-in-waiting on society—he looked to-day a tall, rather slight man, with nut-brown hair, carefully curled and slightly suggestive of having been grown elsewhere, closely-shaven face of rather careworn aspect, but delicate and refined. He was a decidedly handsome, elderly man, made ridiculous by a mincing dancing-master deportment, an assumed simpering smile, and a costume in the highest fashion of George the Third’s day. His hat has been already described, for it was evidently moulded on the same block as my Lord Carboro’s, and the rest of the description will do for the costume of both—in fact, with allowances for varieties of colour and tint, for that of most of the gentlemen who flit in and out in the varied scenes of this story of old seaside life.

His thin, but shapely legs were in the tightest of pantaloons, over which were a glossy pair of Hessian boots with silken tassels where they met the knee. An extremely tight tail coat of a dark bottle green was buttoned over his breast, leaving exposed a goodly portion of a buff waistcoat below the bottom buttons, while the coat collar rose up like a protecting erection, as high as the wearer’s ears, and touched and threatened to tilt forward the curly brimmed hat. Two tiny points of a shirt collar appeared above the sides of an enormous stock which rigidly prisoned the neck; a delicate projection of cambric frilling rose from the breast; the hands were tightly gloved, one holding a riding-whip, the top of which was furnished with a broad-rimmed square eyeglass; and beneath the buff vest hung, suspended by a broad, black watered-silk ribbon, a huge bunch of gold seals and keys, one of the former being an enormous three-tabled topaz, which turned in its setting at the wearer’s will.

Such was the aspect of the Master of the Ceremonies in morning costume—the man whose services were sought by every new arrival for introduction to the Assembly Room and to the fashionable society of the day—the man who, by unwritten canons of the fashionable world, must needs be consulted for every important fête or dance, and whose offerings from supplicants—he scorned to call them clients—were supposed to yield him a goodly income, and doubtless would do so, did the season happen to be long, and society at Saltinville in force.

Parting from the ladies he had met, he passed on with a feeble smirk, growing more decided, his step more mincing, to bow to some lady, a proceeding calling for grace and ease. The raising and replacing of the hat was ever elaborate, so was the kissing of the tips of the gloves to the horsemen who cantered by. There was quite a kingly dignity full of benevolence in the nods bestowed here and there upon fishers and boatmen in dingy flannel trousers rising to the arm-pits, trousers that looked as if they would have stood alone. Then there was an encounter with a brace of beaux, a halt, the raising and replacing of their hats, and the snuff-box of the Master of the Ceremonies flashed in the bright autumn sunshine as it was offered to each in turn, and pinches were taken of the highly-scented Prince’s Mixture out of the historical prince’s present—a solid golden, deeply-chased, and massive box. Then there was a loud snuffling noise; three expirations of three breaths in a loud “Hah!” three snappings of three fingers and three thumbs, the withdrawal of three bandanna silk, gold, and scarlet handkerchiefs, to flip away a little snuff from three shirt frills; then the snuff-box flashed and glistened as it was held behind the Master of the Ceremonies, with his gold-mounted whip; three hats were raised again and replaced, their wearers having mutually decided that the day was charming, and Sir Harry Payne, officer of dragoons in mufti, like his chosen companion, Sir Matthew Bray, went one way to “ogle the gyurls,” the Master of Ceremonies the other to reach the pier.

Everyone knew him; everyone sought and returned his bow. Fashion’s high priest, the ruler of the destinies of many in the season, he was not the man to slight, and the gatekeeper drew back, hat in hand, and the bandmaster bowed low, as with pointed toes, graceful carriage, snuff-box in one hand, eyeglass and whip for the horse he never rode in the other, Stuart Denville walked behind the mask he wore, mincing, and bowing, and condescending, past the groups that dotted the breezy resort.

Half-way down the pier, but almost always hat in hand, and the set smile deepening the lines about his well-cut mouth, he became aware of some excitement towards the end.

There was a shriek and then a babble of voices talking, cries for a boat, and a rush to the side, where a lady, who had arrived in a bath-chair, pushed by a tall footman in mourning livery, surmounted by a huge braided half-moon hat, was gesticulating wildly and going to and fro, now fanning herself with a monstrous black fan, now closing it with a snap, and tapping lady bystanders with it on the shoulder or arm.

“He’ll be drowned. I’m sure he’ll be drowned. Why is there no boatman? Why is there no help? Oh, here is dear Mr Denville. Oh! Mr Denville, help, help, help!”

Here the lady half turned round, and made with each cry of “help!” a backward step towards the Master of the Ceremonies, who had not accelerated his pace a whit, for fear of losing grace, and who was only just in time—the lady managed that—to catch her as she half leaned against his arm.

“Dear Lady Drelincourt, what terrible accident has befallen us here?”