Coming Events cast their Shadows before.
The wail on one string went on, and naturally sounded louder as Roy Royland opened a door to stand gazing in at the quaint octagonal room, lit by windows splayed to admit more light to the snug quarters hung with old tapestry, and made cosy with thick carpet and easy-chair, and intellectual with dwarf book-cases filled with choice works. These had overflowed upon the floor, others being piled upon the tops of chairs and stacked in corners wherever room could be found, while some were even ranged upon the narrow steps of the corkscrew stone staircase which led to the floor above, occupied by Master Palgrave Pawson for a bedchamber, the staircase being continued up to the leads, where it ended in a tiny turret.
“I wonder what father will say, my fine fellow, when he finds what a lot of his books you’ve brought up out of the library,” said Roy to himself, as he stood watching the plump, smooth-faced youngish man, who, with an oblong music-book open before him on the table, was seated upon a stool, with a ’cello between his legs, gravely sawing away at the strings, and frowning severely whenever, through bad stopping with his fingers—and that was pretty often—he produced notes “out of tune and harsh.” The musician was dressed, according to the fashion of the day, in dark velvet with a lace collar, and wore his hair long, so that it inconvenienced him; the oily curls, hanging down on either side of his fat face like the valance over an old-fashioned four-post bedstead, swaying to and fro with the motion of the man’s body, and needing, from time to time, a vigorous shake to force them back when they encroached too far forward and interfered with his view of the music.
The slow, solemn, dirge-like air went on, but the player did not turn his head, playing away with grave importance, and giving himself a gentle inclination now and then to make up for the sharp twitches caused by the tickling hair.
“You saw me,” said Roy, speaking to himself, but at the musician, “for one of your eyes turned this way; but you won’t speak till you’ve got to the end of that bit of noise. Oh, how I should like to shear off those long greasy curls! They make you look worse even than you do when they’re all twisted up in pieces of paper. It doesn’t suit your round, fat face. You don’t look a bit like a cavalier, Master P.P.; but I suppose you’re a very good sort of fellow, or else father would not have had you here.”
Just then the music ended with an awkwardly performed run up an octave and four scrapes across the first and second strings.
“Come in, boy,” said the player, taking up a piece of resin to apply to the hair of the bow, “and shut the door.”
He spoke in a highly-pitched girlish voice, which somehow always tickled Roy and made him inclined to laugh, and the desire increased upon this occasion as he said, solemnly—
“Saraband.”
“Oh! Who’s she?” said the boy, wonderingly.