An autumn morning in a lane. A very prosaic beginning. But there are lanes and lanes; so let not the reader imagine a dreary, clayey way between two low-cropped hedges running right across the flat landscape with mathematical severity, and no more exciting object in view than a heap of broken stones ready for repairs. Our lane is a very different affair, for it is a Cornish lane.
Do you know what a Cornish lane is like—a lane in a valley? Perhaps not; so we will describe the winding road, where, basket in hand, Tiny and Fin Rea, walking home, were seeking ferns.
In this land of granite, a clear field is an exception—the great bare bones of earth peer out in all directions; and however severe the taste of the first maker of a beaten track, unless he were ready with engineering tools and blasting appliances, instead of making his way straight forward, he would have to go round and dodge about, to avoid the masses of stone. Hence, then, many of the lanes wind and double between piled-up heaps of granite, through steep gorges, and rise and fall in the most eccentric way; while—Nature having apparently scoured the hill-tops, and swept the fertile soil into the vales along these dell-like lanes—the verdure is thick and dense; trees interlace overhead till you walk in a pale green twilight flecked with golden rays; damp dripping stones are covered with velvet moss; a tiny spring trickles here, and forms crystal pools, mirroring delicate fronds of fern; gnarled oaks twist tortuous trunks in the great banks, and throw distorted arms across the road; half hidden from sight—here five, there fifty feet below the toad—a rapid stream goes musically onward towards the sea, singing silvery songs to the little speckly trout which hide beneath the granite shelves in their crystal homes. Verdure rich and bright on every side, and above all ferns—ferns of the tiniest, and ferns tall and towering, spreading luxuriant fronds, and sending up spikes of flowers, while lesser neighbours form patches of wondrous beauty—tropic palm forests in miniature.
“Now, then, who’s going to take my picture?” cried Fin Rea, plumping herself down on a mossy stone, and snatching off her hat. “Should I do now, Tiny?”
Undoubtedly: for her lithe, slight form, in its grey muslin, stood out from the ashy brown of the oak trunk that formed the background, while a wondrous beauty of light and shade fell through the leafy network above.
“Oh, isn’t it heavenly to be back? I couldn’t live in London. I liked the theatres, and going to the race, and seeing pictures, but I should soon be tired of it all. It makes you so cross. I believe the blacks get into your temper. I say, Tiny, I wonder what Aunt Matty would be like if she lived in London?”
“Don’t make fun of poor Aunt Matty,” said her sister. “She has had a good deal of trouble in her life.”
“And made it,” said Fin, jumping up. “Oh, I say, look down there,” she cried, pointing through the ferns at her feet to a cool, dark pool, twenty feet below; “there’s a place. Oh, Tiny, if I thought I should ever grow into such a screwy, cross old maid as Aunt Matty, I think I should jump down there and let the fishes eat.”
“Fin, that little tongue of yours goes too fast,” said her sister.
“Let it,” was the laconic reply. “Tongues were made to talk with. Let’s go on; I’m tired of digging up ferns. Wasn’t it funny, seeing Humphrey Lloyd at that race? And I wonder who those gentlemen were.”