“One moment. Would you mind sounding D?” Millicent obeyed, and Bayle blew a tremulous note upon the flute nearly a quarter of a tone too sharp.
This necessitated a certain amount of unscrewing and lengthening which made the drops glisten upon Bayle’s forehead.
“Poor fellow!” thought Millicent, “how nervous he is! I wish he were not going to play.”
“I think that will do,” he said at last, after blowing one or two more tremulous notes. “Shall we begin?” Millicent nodded, giving him a smile of encouragement, and after whispering, “Don’t mind me, I’ll try and keep to your time,” she ran over the prelude, and shivered as the flute took up the melody and began.
It has been said that the flute, of all instruments, most resembles the human voice, and to Millicent Luttrell it seemed to wail here piteously how it knew a bank whereon the wild thyme grew. Her hands were moist from sympathy for the flautist, and she was striving to play her best with the fullest chords so as to hide his weakness, when, as he went on, it seemed to her that Bayle was forgetting the presence of listeners and growing interested in the beautiful melody he played. The notes of the flute became, moment by moment, more rich and round; they were no longer spasmodic, beginning and ending clumsily, but were breathed forth softly, with a crescendo and diminuendo where necessary, and so full of feeling that the pianiste was encouraged. She, too, forgot the listeners, and yielding to her love of her art, played on. The slow, measured strains were succeeded by the florid runs; but she never wondered whether the flautist would succeed, for they were amongst them before she knew they were so near, with the flute seeming to trip deftly over the most difficult passages without the slightest hesitation, the audience thoroughly enjoying the novel performance, till the final chord was struck, and followed by a hearty round of applause.
“Oh! Mr Bayle,” cried Millicent, looking up in his flushed face, “I am so glad.”
Her brightened eyes told him the same tale, for he had thoroughly won her sympathy as well as the praise of all present; Mr Hallam from the bank being as ready as the rest to thank him for so “delicious a rendering of that charming duet.”
The rest of that evening was strange and dreamlike to Christie Bayle. He played some more florid pieces of music by one Henry Bishop, and he took Millicent in to supper. Then, soon after, he walked home, Sir Gordon Bourne being his companion.
After that he sat for some hours thinking and wondering how it was that while some men of his years were manly and able to maintain their own, he was so boyish and easily upset.
“I’m afraid my old tutor’s right,” he said; “I want ballast.”