“You are not offended, Nevil?”
“Dear me, no. You haven’t a mind for tonics, that’s all.”
“Healthy persons rarely have,” she remarked, and asked him, smiling softly, whether he had a mind for music.
His insensibility to music was curious, considering how impressionable he was to verse, and to songs of birds. He listened with an oppressed look, as to something the particular secret of which had to be reached by a determined effort of sympathy for those whom it affected. He liked it if she did, and said he liked it, reiterated that he liked it, clearly trying hard to comprehend it, as unmoved by the swell and sigh of the resonant brass as a man could be, while her romantic spirit thrilled to it, and was bountiful in glowing visions and in tenderness.
There hung her hand. She would not have refused to yield it. The hero of her childhood, the friend of her womanhood, and her hero still, might have taken her with half a word.
Beauchamp was thinking: She can listen to that brass band, and she shuts her ears to this letter!
The reading of it would have been a prelude to the opening of his heart to her, at the same time that it vindicated his dear and honoured master, as he called Dr. Shrapnel. To speak, without the explanation of his previous reticence which this letter would afford, seemed useless: even the desire to speak was absent, passion being absent.
“I see papa; he is getting into a boat with some one,” said Cecilia, and gave orders for the yacht to stand in toward the Club steps. “Do you know, Nevil, the Italian common people are not so subject to the charm of music as other races? They have more of the gift, and I think less of the feeling. You do not hear much music in Italy. I remember in the year of Revolution there was danger of a rising in some Austrian city, and a colonel of a regiment commanded his band to play. The mob was put in good humour immediately.”
“It’s a soporific,” said Beauchamp.
“You would not rather have had them rise to be slaughtered?”