“You build a cathedral of sound in the organ,” said Dr. Shrapnel, casting out a league of leg as he sat beside his only half-persuaded fretful guest. “You subject the winds to serve you; that’s a gain. You do actually accomplish a resonant imitation of the various instruments; they sing out as your two hands command them—trumpet, flute, dulcimer, hautboy, drum, storm, earthquake, ethereal quire; you have them at your option. But tell me of an organ in the open air? The sublimity would vanish, ma’am, both from the notes and from the structure, because accessories and circumstances produce its chief effects. Say that an organ is a despotism, just as your piano is the Constitutional bourgeois. Match them with the trained orchestral band of skilled individual performers, indoors or out, where each grasps his instrument, and each relies on his fellow with confidence, and an unrivalled concord comes of it. That is our republic each one to his work; all in union! There’s the motto for us! Then you have music, harmony, the highest, fullest, finest! Educate your men to form a band, you shame dexterous trickery and imitation sounds. Then for the difference of real instruments from clever shams! Oh, ay, one will set your organ going; that is, one in front, with his couple of panting air-pumpers behind—his ministers!” Dr. Shrapnel laughed at some undefined mental image, apparently careless of any laughing companionship. “One will do it for you, especially if he’s born to do it. Born!” A slap of the knee reported what seemed to be an immensely contemptuous sentiment. “But free mouths blowing into brass and wood, ma’am, beat your bellows and your whifflers; your artificial choruses—crash, crash! your unanimous plebiscitums! Beat them? There’s no contest: we’re in another world; we’re in the sun’s world,—yonder!”
Miss Denham’s opening notes on the despised piano put a curb on the doctor. She began a Mass of Mozart’s, without the usual preliminary rattle of the keys, as of a crier announcing a performance, straight to her task, for which Rosamund thanked her, liking that kind of composed simplicity: she thanked her more for cutting short the doctor’s fanatical nonsense. It was perceptible to her that a species of mad metaphor had been wriggling and tearing its passage through a thorn-bush in his discourse, with the furious urgency of a sheep in a panic; but where the ostensible subject ended and the metaphor commenced, and which was which at the conclusion, she found it difficult to discern—much as the sheep would, be when he had left his fleece behind him. She could now have said, “Silly old man!”
Dr. Shrapnel appeared most placable. He was gazing at his Authority in the heavens, tangled among gold clouds and purple; his head bent acutely on one side, and his eyes upturned in dim speculation. His great feet planted on their heels faced him, suggesting the stocks; his arms hung loose. Full many a hero of the alehouse, anciently amenable to leg-and-foot imprisonment in the grip of the parish, has presented as respectable an air. His forelock straggled as it willed.
Rosamund rose abruptly as soon as the terminating notes of the Mass had been struck.
Dr. Shrapnel seemed to be concluding his devotions before he followed her example.
“There, ma’am, you have a telegraphic system for the soul,” he said. “It is harder work to travel from this place to this” (he pointed at ear and breast) “than from here to yonder” (a similar indication traversed the distance between earth and sun). “Man’s aim has hitherto been to keep men from having a soul for this world: he takes it for something infernal. He?—I mean, they that hold power. They shudder to think the conservatism of the earth will be shaken by a change; they dread they won’t get men with souls to fetch and carry, dig, root, mine, for them. Right!—what then? Digging and mining will be done; so will harping and singing. But then we have a natural optimacy! Then, on the one hand, we whip the man-beast and the man-sloth; on the other, we seize that old fatted iniquity—that tyrant! that tempter! that legitimated swindler cursed of Christ! that palpable Satan whose name is Capital! by the neck, and have him disgorging within three gasps of his life. He is the villain! Let him live, for he too comes of blood and bone. He shall not grind the faces of the poor and helpless—that’s all.”
The comicality of her having such remarks addressed to her provoked a smile on Rosamund’s lips.
“Don’t go at him like Samson blind,” said Mr. Lydiard; and Miss Denham, who had returned, begged her guardian to entreat the guest to stay.
She said in an undertone, “I am very anxious you should see Captain Beauchamp, madam.”
“I too; but he will write, and I really can wait no longer,” Rosamund replied, in extreme apprehension lest a certain degree of pressure should overbear her repugnance to the doctor’s dinner-table. Miss Denham’s look was fixed on her; but, whatever it might mean, Rosamund’s endurance was at an end. She was invited to dine; she refused. She was exceedingly glad to find herself on the high-road again, with a prospect of reaching Steynham that night; for it was important that she should not have to confess a visit to Bevisham now when she had so little of favourable to tell Mr. Everard Romfrey of his chosen nephew. Whether she had acted quite wisely in not remaining to see Nevil, was an agitating question that had to be silenced by an appeal to her instincts of repulsion, and a further appeal for justification of them to her imaginary sisterhood of gossips. How could she sit and eat, how pass an evening in that house, in the society of that man? Her tuneful chorus cried, “How indeed.” Besides, it would have offended Mr. Romfrey to hear that she had done so. Still she could not refuse to remember Miss Denham’s marked intimations of there being a reason for Nevil’s friend to seize the chance of an immediate interview with him; and in her distress at the thought, Rosamund reluctantly, but as if compelled by necessity, ascribed the young lady’s conduct to a strong sense of personal interests.