'I could join the French Foreign Legion,' he thought.
Adiante was as beautiful by day as by night. He looked. The riddle of her was more burdensome in the daylight.
He sighed, and on another surging of his admiration launched the resolve that he would serve her blindly, without one question. How, when, where, and the means and the aim, he did not think of. There was she, and here was he, and heaven and a great heart would show the way.
Adiante at eighteen, the full length of her, fresh in her love of Philip, was not the same person to him, she had not the same secret; she was beautiful differently. By right he should have loved the portrait best: but he had not seen it first; he had already lived through a life of emotions with the miniature, and could besides clasp the frame; and moreover he fondled an absurd notion that the miniature would be entrusted to him for a time, and was almost a possession. The pain of the thought of relinquishing it was the origin of this foolishness. And again, if it be fair to prove him so deeply, true to his brother though he was (admiration of a woman does thus influence the tides of our blood to render the noblest of us guilty of some unconscious wavering of our loyalty), Patrick dedicated the full-length of Adiante to Philip, and reserved the other, her face and neck, for himself.
Obediently to Mr. Adister's order, the portrait had been taken from one of his private rooms and placed in the armoury, the veil covering the canvas of late removed. Guns and spears and swords overhead and about, the youthful figure of Adiante was ominously encompassed. Caroline stood with Patrick before the portrait of her cousin; she expected him to show a sign of appreciation. He asked her to tell him the Church whose forms of faith the princess had embraced. She answered that it was the Greek Church. 'The Greek,' said he, gazing harder at the portrait. Presently she said: 'It was a perfect likeness.' She named the famous artist who had painted it. Patrick's 'Ah' was unsatisfactory.
'We,' said she, 'think it a living image of her as she was then.'
He would not be instigated to speak.
'You do not admire it, Mr. O'Donnell?' she cried.
'Oh, but I do. That's how she looked when she was drawing on her gloves with good will to go out to meet him. You can't see her there and not be sure she had a heart. She part smiles; she keeps her mouth shut, but there's the dimple, and it means a thought, like a bubble bursting up from the heart in her breast. She's tall. She carries herself like a great French lady, and nothing beats that. It's the same colour, dark eyebrows and fair hair. And not thinking of her pride. She thinks of her walk, and the end of it, where he's waiting. The eyes are not the same.'
'The same?' said Caroline.