‘She was, under my dominion, Miss Martinsward,’ Mr. Beamish pursued. ‘She came here very young, and at once her suitors were legion. In the way of women, she chose the worst among them; and for the fellow Caseldy she sacrificed the fortune she had inherited of a maternal uncle. To release him from prison, she paid all his debts; a mountain of bills, with the lawyers piled above—Pelion upon Ossa, to quote our poets. In fact, obeying the dictates of a soul steeped in generosity, she committed the indiscretion to strip herself, scandalizing propriety. This was immediately on her coming of age; and it was the death-blow to her relations with her family. Since then, honoured even by rakes, she has lived impoverished at the Wells. I dubbed her Chloe, and man or woman disrespectful to Chloe packs. From being the victim of her generous disposition, I could not save her; I can protect her from the shafts of malice.’
‘She has no passion for play?’ inquired the duke.
‘She nourishes a passion for the man for whom she bled, to the exclusion of the other passions. She lives, and I believe I may say that it is the motive of her rising and dressing daily, in expectation of his advent.’
‘He may be dead.’
‘The dog is alive. And he has not ceased to be Handsome Caseldy, they say. Between ourselves, duke, there is matter to break her heart. He has been the Count Caseldy of Continental gaming tables, and he is recently Sir Martin Caseldy, settled on the estate she made him free to take up intact on his father’s decease.’
‘Pah! a villain!’
‘With a blacker brand upon him every morning that he looks forth across his property, and leaves her to languish! She still—I say it to the redemption of our sex—has offers. Her incomparable attractions of mind and person exercise the natural empire of beauty. But she will none of them. I call her the Fair Suicide. She has died for love; and she is a ghost, a good ghost, and a pleasing ghost, but an apparition, a taper.
The duke fidgeted, and expressed a hope to hear that she was not of melancholy conversation; and again, that the subject of her discourse was not confined to love and lovers, happy or unhappy. He wished his duchess, he said, to be entertained upon gayer topics: love being a theme he desired to reserve to himself. ‘This month!’ he said, prognostically shaking and moaning. ‘I would this month were over, and that we were well purged of it.’
Mr. Beamish reassured him. The wit and sprightliness of Chloe were so famous as to be considered medical, he affirmed; she was besieged for her company; she composed and sang impromptu verses, she played harp and harpsichord divinely, and touched the guitar, and danced, danced like the silvery moon on the waters of the mill pool. He concluded by saying that she was both humane and wise, humble-minded and amusing, virtuous yet not a Tartar; the best of companions for her Grace the young duchess. Moreover, he boldly engaged to carry the duchess through the term of her visit under a name that should be as good as a masquerade for concealing his Grace’s, while giving her all the honours due to her rank.
‘You strictly interpret my wishes,’ said the duke; ‘all honours, the foremost place, and my wrath upon man or woman gainsaying them!’