‘It’s that! I’ve lost my money—I forgot. And I shall have to confess it to my duke, though he warned me. Old men hold their fingers up—so! One finger: and you never forget the sight of it, never. It’s a round finger, like the handle of a jug, and won’t point at you when they’re lecturing, and the skin’s like an old coat on gaffer’s shoulders—or, Chloe! just like, when you look at the nail, a rumpled counterpane up to the face of a corpse. I declare, it’s just like! I feel as if I didn’t a bit mind talking of corpses tonight. And my money’s gone, and I don’t much mind. I’m a wild girl again, handsomer than when that——he is a dear, kind, good old nobleman, with his funny old finger: “Susan! Susan!” I’m no worse than others. Everybody plays here; everybody superior. Why, you have played, Chloe.’
‘Never!’
‘I’ve heard you say you played once, and a bigger stake it was, you said, than anybody ever did play.’
‘Not money.’
‘What then?’
‘My life.’
‘Goodness—yes! I understand. I understand everything to-night-men too. So you did!—They’re not so shamefully wicked, Chloe. Because I can’t see the wrong of human nature—if we’re discreet, I mean. Now and then a country dance and a game, and home to bed and dreams. There’s no harm in that, I vow. And that’s why you stayed at this place. You like it, Chloe?’
‘I am used to it.’
‘But when you’re married to Count Caseldy you’ll go?’
‘Yes, then.’