In those days the world had oscillated, under higher leading than its royal laxity, to rigidity. Tiny peccadilloes were no longer matter of jest, and the sinner exposed stood 'sola' to receive the brand. A beautiful Lady Doubtful needed her husband's countenance if she was to take one of the permanent steps in public places. The party of Lady Charlotte Eglett called on the livid cloud-bank aforesaid to discharge celestial bolts and sulphur oil on the head of an impudent, underbred, ambitious young slut, whose arts had bewitched a distinguished nobleman not young in years at least, and ensnared the remainder wits of some principal ancient ladies of the land. Professional Puritans, born conservatives, malicious tattlers, made up a goodly tail to Lady Charlotte's party. The epithet 'unbred' was accredited upon the quoted sayings and doings of the pretentious young person's aunt, repeated abroad by noblemen and gentlemen present when she committed herself; and the same were absurd. They carried a laugh, and so they lived and circulated. Lord Ormont submitted to the infliction of that horrid female in his household! It was no wonder he stopped short of allying himself with the family.
Nor was it a wonder that the naturally enamoured old warrior or invalided Mars (for she had the gift of beauty) should deem it prudent to be out of England when she and her crazy friends determined on the audacious move. Or put it the other way—for it is just as confounding right side or left—she and her friends take advantage of his absence to make the clever push for an establishment, and socially force him to legalize their union on his return. The deeds of the preceding reign had bequeathed a sort of legendary credence to the wildest tales gossip could invent under a demurrer.
But there was the fact, the earl was away. Lady Charlotte's party buzzed everywhere. Her ladyship had come to town to head it. Her ladyship laid trains of powder from dinner-parties, balls, routs, park-processions, into the Lord Chamberlain's ear, and fired and exploded them, deafening the grand official. Do you consider that virulent Pagan Goddesses and the flying torch-furies are extinct? Error of Christians! We have relinquished the old names and have no new ones for them; but they are here, inextinguishable, threading the day and night air with their dire squib-trail, if we would but see. Hissing they go, and we do not hear. We feel the effects.
Upon the counsel of Mrs. Lawrence, Aminta sent a letter to Lord Ormont at his hotel in Paris, informing him of the position of affairs. He had delayed his return, and there had been none of his brief communications.
She wrote, as she knew, as she felt, coldly. She was guided by others, and her name was up before the world, owing to some half-remembered impulsion of past wishes, but her heart was numbed; she was not a woman to have a wish without a beat of the heart in it. For her name she had a feeling, to be likened rather to the losing gambler's contemplation of a big stake he has flung, and sees it gone while fortune is undecided; and he catches at a philosophy nothing other than his hug of a modest little background pleasure, that he has always preferred to this accursed bad habit of gambling with the luck against him. Reckless in the cast, she was reckless of success.
Her letter was unanswered.
Then, and day by day more strongly, she felt for her name. She put a false heart into it. She called herself to her hearing the Countess of Ormont, and deigned to consult the most foolish friend she could have chosen—her aunt; and even listened to her advice, that she should run about knocking at all the doors open to her, and state her case against the earl. It seemed the course to take, the moment for taking it. Was she not asked if she could now at last show she had pride? Her pride ran stinging through her veins, like a band of freed prisoners who head the rout to fire a city. She charged her lord with having designedly—oh! cunningly indeed left her to be the prey of her enemies at the hour when he knew it behoved him to be her great defender. There had been no disguise of the things in progress: they had been spoken of allusively, quite comprehensibly, after the fashion common with two entertaining a secret semi-hostility on a particular subject; one of them being the creature that blushes and is educated to be delicate, reserved, and timorous. He was not ignorant, and he had left her, and he would not reply to her letter!
So fell was her mood, that an endeavour to conjure up the scene of her sitting beside the death-bed of Matthew Weyburn's mother, failed to sober and smooth it, holy though that time was. The false heart she had put into the pride of her name was powerfuller than the heart in her bosom. But to what end had the true heart counselled her of late? It had been a home of humours and languors, an impotent insurgent, the sapper of her character; and as we see in certain disorderly States a curative incendiarism usurp the functions of the sluggish citizen, and the work of re-establishment done by destruction, in peril of a total extinction, Aminta's feverish anger on behalf of her name went a stretch to vivify and give her dulled character a novel edge. She said good-bye to cowardice. 'I have no husband to defend me—I must do it for myself.' The peril of a too complete exercise of independence was just intimated to her perceptions. On whom the blame? And let the motively guilty go mourn over consequences! That Institution of Marriage was eyed. Is it not a halting step to happiness? It is the step of a cripple,—and one leg or the other poses for the feebler sex,—small is the matter which! And is happiness our cry? Our cry is rather for circumstance and occasion to use our functions, and the conditions are denied to women by Marriage—denied to the luckless of women, who are many, very many: denied to Aminta, calling herself Countess of Ormont, for one, denied to Mrs. Lawrence Finchley for another, and in a base bad manner. She had defended her good name triumphantly, only to enslave herself for life or snatch at the liberty which besmirches.
Reviewing Mrs. Lawrence, Aminta's real heart pressed forward at the beat, in tender pity of the woman for whom a yielding to love was to sin; and unwomanly is the woman who does not love: men will say it. Aminta found herself phrasing. 'Why was she unable to love her husband?—he is not old.' She hurried in flight from the remark to confidences imparted by other ladies, showing strange veins in an earthy world; after which, her mind was bent to rebuke Mrs. Pagnell for the silly soul's perpetual allusions to Lord Ormont's age. She did not think of his age. But she was vividly thinking that she was young. Young, married, loveless, cramped in her energies, publicly dishonoured—a Lady Doubtful, courting one friend whom she liked among women, one friend whom she respected among men; that was the sketch of her.
That was in truth the outline, as much as Aminta dared sketch of herself without dragging her down lower than her trained instinct would bear to look. Our civilization shuns nature; and most shuns it in the most artificially civilized, to suit the market. They, however, are always close to their mother nature, beneath their second nature's mask of custom; and Aminta's unconscious concluding touch to the sketch: 'My husband might have helped me to a footing in Society,' would complete it as a coloured picture, if writ in tones.