'She would me; but I'm an old woman. I detest their squalling and strumming. I can stand it with Italians on the boards: they don't, stop conversation. She was present at that fencing match where you plucked a laurel? I had an account of it. I can't see the use of fencing in this country. Younger women can, I dare say. Now, look. If we're to speak of her, I can't call her Lady Ormont, and I don't want to hear you. Give me her Christian name.'
'It is'—Weyburn found himself on a slope without a stay—'Aminta.'
Lady Charlotte's eye was on him. He felt intolerably hot; his vexation at the betrayal of the senseless feeling made it worse, a conscious crimson.
'Aminta,' said she, rather in the style of Cuper's boys, when the name was a strange one to them. 'I remember my Italian master reading out a poem when I was a girl. I read poetry then. You wouldn't have imagined that. I did, and liked it. I hate old age. It changes you so. None of my children know me as I was when I had life in me and was myself, and my brother Rowsley called me Cooey. They think me a hard old woman. I was Cooey through the woods and over the meadows and down stream to Rowsley. Old age is a prison wall between us and young people. They see a miniature head and bust, and think it a flattery—won't believe it. After I married I came to understand that the world we are in is a world to fight in, or under we go. But I pity the young who have to cast themselves off and take up arms. Young women above all.'
Why had she no pity for Aminta? Weyburn asked it of his feelings, and he had the customary insurgent reply from them.
'You haven't seen Steignton yet,' she continued. 'No place on earth is equal to Steignton for me. It 's got the charm. Here at Olmer I'm a mother and a grandmother—the “devil of an old-woman” my neighbours take me to be. She hasn't been to Steignton, either. No, and won't go there, though she's working her way round, she supposes. He'll do everything for his “Aminta,” but he won't take her to Steignton. I'm told now she's won Lady de Culme. That Mrs. Lawrence Finchley has dropped the curtsey to her great-aunt and sworn to be a good girl, for a change, if Lady de Culme will do the chaperon, and force Lord Ormont's hand. My brother shrugs. There'll be a nice explosion one day soon. Presented? The Court won't have her. That I know for positive. If she's pushed forward, she 'll be bitterly snubbed. It 's on the heads of those women—silly women! I can't see the game Mrs. Lawrence Finchley's playing. She'd play for fun. If they'd come to me, I 'd tell them I 've proof she 's not the Countess of Ormont: positive proof. You look? I have it. I hold something; and not before,—(he may take his Aminta to Steignton, he may let her be presented, she may wear his name publicly, I say he's laughing at them, snapping his fingers at them louder and louder the more they seem to be pushing him into a corner, until—I know my brother Rowsley!—and, poor dear fellow! a man like that, the best cavalry general England ever had:—they'll remember it when there comes a cry for a general from India: that's the way with the English; only their necessities teach them to be just!)—he to be reduced to be out-manoeuvring a swarm of women,—I tell them, not before my brother Rowsley comes to me for what he handed to my care and I keep safe for him, will I believe he has made or means to make his Aminta Countess of Ormont.'
They were at the steps of the house. Turning to Weyburn there, the inexhaustible Lady Charlotte remarked that their conversation had given her pleasure. Leo was hanging on to one of his hands the next minute. A small girl took the other. Philippa and Beatrice were banished damsels.
Lady Charlotte's breath had withered the aspect of Aminta's fortunes. Weyburn could forgive her, for he was beginning to understand her. He could not pardon 'her brother Rowsley,' who loomed in his mind incomprehensible, and therefore black. Once he had thought the great General a great man. He now regarded him as a mere soldier, a soured veteran; socially as a masker and a trifler, virtually a callous angler playing his cleverly-hooked fish for pastime.
What could be the meaning of Lady Charlotte's 'that, man Morsfield, who boasts of your Lady Ormont, and does it unwhipped'?
Weyburn stopped his questioning, with the reflection that he had no right to recollect her words thus accurately. The words, however, stamped Morsfield's doings and sayings and postures in the presence of Aminta with significance. When the ladies were looking on at the fencers, Morsfield's perfect coxcombry had been noticeable. He knew the art of airing a fine figure. Mrs. Lawrence Finchley had spoken of it, and Aminta had acquiesced; in the gravely simple manner of women who may be thinking of it much more intently than the vivacious prattler. Aminta confessed to an admiration of masculine physical beauty; the picador, matador, of the Spanish ring called up an undisguised glow that English ladies show coldly when they condescend to let it be seen; as it were, a line or two of colour on the wintriest of skies. She might, after all, at heart be one of the leisured, jewelled, pretty-winged; the spending, never harvesting, world she claimed and sought to enter. And what a primitive world it was!—world of the glittering beast and the not too swiftly flying prey, the savage passions clothed in silk. Surely desire to belong to it writes us poor creatures. Mentally, she could hardly be maturer than the hero-worshipping girl in the procession of Miss Vincent's young seminarists. Probably so, but she carried magic. She was of the order of women who walk as the goddesses of old, bearing the gift divine. And, by the way, she had the step of the goddess. Weyburn repeated to himself the favourite familiar line expressive of the glorious walk, and accused Lord Ormont of being in cacophonous accordance with the perpetual wrong of circumstance, he her possessor, the sole person of her sphere insensible to the magic she bore! So ran his thought.