'Stick to the title and write yourself plush-breech. Can't you be more than a footman? Try to be a man of the world; you're old enough for that by now. I know she 's good-looking; the whole tale hangs on that. You needn't be singing me mooncalf hymn tunes of "Lady Ormont, Lady Ormont," solemn as a parson's clerk; the young woman brought good looks to market; and she got the exchange she had a right to expect. But it 's not my brother Rowsley's title she has got—except for footmen and tradesmen. When there's a true Countess of Ormont!….. Unless my brother has cut himself from his family. Not he. He's not mad.'
They passed through Olmer park-gates. Lady Charlotte preceded him, and she turned, waiting for him to rejoin her. He had taken his flagellation in the right style, neither abashed nor at sham crow: he was easy, ready to converse on any topic; he kept the line between supple courtier and sturdy independent; and he was a pleasant figure of a young fellow. Thinking which, a reminder that she liked him drew her by the road of personal feeling, as usual with her, to reflect upon another, and a younger, woman's observing and necessarily liking him too.
'You say you fancy I should like the person you call Lady Ormont?'
'I believe you would, my lady.'
'Are her manners agreeable?'
'Perfect; no pretension.'
'Ah! she sings, plays—all that?
'She plays the harp and sings.'
'You have heard her?'
'Twice.'