Banquet, equal to a blast of trumpet, was the detaining word for the multitude. It circulated, one knows not how. Eloquent as the whiffs to the sniffs (and nowhere is eloquence to match it, when the latter are sharpened from within to without), the word was very soon over the field. Mr. Carling may have helped; he had it from Fenellan; and he was among the principal groups, claiming or making acquaintances, as a lawyer should do. The Concert was complimentarily a topic: Durandarte divine!—did not everybody think so? Everybody did, in default of a term for overtopping it. Our language is poor at hyperbole; our voices are stronger. Gestures and heaven-sent eyeballs invoke to display the ineffable. Where was Durandarte now? Gone; already gone; off with the Luciani for evening engagements; he came simply to oblige his dear friend Mr. Radnor. Cheque fifty guineas: hardly more on both sides than an exchange of smiles. Ah, these merchant-princes! What of Mr. Radnor’s amateur instrumentalists? Amateurs, they are not to be named: perfect musicians. Mr. Radnor is the perfection of a host. Yes, yes; Mrs. Radnor; Miss Radnor too: delicious voices; but what is it about Mr. Radnor so captivating! He is not quite English, yet he is not at all foreign. Is he very adventurous in business, as they say?
‘Soundest head in the City of London,’ Mr. Blathenoy remarked.
Sir Rodwell Blachington gave his nod.
The crowd interjected, half-sighing. We ought to be proud of such a man! Perhaps we are a trifle exaggerating, says its heart. But that we are wholly grateful to him, is a distinct conclusion. And he may be one of the great men of his time: he has a quite individual style of dress.
Lady Rodwell Blachington observed to Colney Durance:
‘Mr. Radnor bids fair to become the idol of the English people.’
‘If he can prove himself to be sufficiently the dupe of the English people,’ said Colney.
‘Idol—dupe?’ interjected Sir Rodwell, and his eyebrows fixed at the perch of Colney’s famous ‘national interrogation’ over vacancy of understanding, as if from the pull of a string. He had his audience with him; and the satirist had nothing but his inner gush of acids at sight of a planted barb.
Colney was asked to explain. He never explained. He performed a series of astonishing leaps, like the branchy baboon above the traveller’s head in the tropical forest, and led them into the trap they assisted him to prepare for them. ‘No humour, do you say? The English have no humour?’ a nephew of Lady Blachington’s inquired of him, with polite pugnacity, and was cordially assured, that ‘he vindicated them.’
‘And Altruistic! another specimen of the modern coinage,’ a classical Church dignitary, in grammarian disgust, remarked to a lady, as they passed.