‘Why, sir!’ cried Skepsey.

‘Just a plunge and a dozen strokes,’ Dartrey said; ‘and you’ll come to my hotel and give me ten minutes of the “recreation”; and if you don’t come willingly, I shall insult your country.’

‘Ah! I wish Mr. Durance were here,’ Skepsey rejoined.

‘It would upset his bumboat of epigrams. He rises at ten o’clock to a queasy breakfast by candlelight, and proceeds to composition. His picture of the country is a portrait of himself by the artist.’

‘But, sir, Captain Dartrey, you don’t think as Mr. Durance does of England!’

‘There are lots to flatter her, Skepsey! A drilling can’t do her harm. You’re down to see Miss Nesta. Ladies don’t receive quite so early. And have you breakfasted? Come on with me quick.’ Dartrey led him on, saying: ‘You have an eye at my stick. It was a legacy to me, by word of mouth, from a seaman of a ship I sailed in, who thought I had done him a service; and he died after all. He fell overboard drunk. He perished of the villain stuff. One of his messmates handed me the stick in Cape Town, sworn to deliver it. A good knot to grasp; and it ‘s flexible and strong; stick or rattan, whichever you please; it gives point or caresses the shoulder; there’s no break in it, whack as you may. They call it a Demerara supple-jack. I’ll leave it to you.’

Skepsey declared his intention to be the first to depart. He tried the temper of the stick, bent it a bit, and admired the prompt straightening.

‘It would give a good blow, sir.’

‘Does its business without braining.’

Perhaps for the reason, that it was not a handsome instrument for display on fashionable promenades, Dartrey chose it among his collection by preference; as ugly dogs of a known fidelity are chosen for companions. The Demerara supple-jack surpasses bull-dogs in its fashion of assisting the master; for when once at it, the clownish-looking thing reflects upon him creditably, by developing a refined courtliness of style, while in no way showing a diminution of jolly ardour for the fray. It will deal you the stroke of a bludgeon with the playfulness of a cane. It bears resemblance to those accomplished natural actors, who conversationally present a dramatic situation in two or three spontaneous flourishes, and are themselves again, men of the world, the next minute.