She said she ‘liked a swing.’
Nesta looked at them in turn.
The day after and the day after, Lady Grace was present. She made play with Dudley’s name.
This coming into the City daily of a girl, for the sake of walking back in winter weather with her father, struck her as ambiguous: either a jealous foolish mother’s device, or that of a weak man beating about for protection. But the woman of the positive world soon read to the contrary; helped a little by the man, no doubt. She read rather too much to the contrary, and took the pedestrian girl for perfect simplicity in her tastes, when Nesta had so far grown watchful as to feel relieved by the lady’s departure. Her mother, without sympathy for the lady, was too great of soul for jealousy. Victor had his Nataly before him at a hint from Lady Grace: and he went somewhat further than the exact degree when affirming, that Nataly could not scheme, and was incapable of suspecting.—Nataly could perceive things with a certain accuracy: she would not stoop to a meanness. ‘Plot? Nataly?’ said he, and shrugged. In fact, the void of plot, drama, shuffle of excitement, reflected upon Nataly. He might have seen as tragic as ever dripped on Stage, had he looked.
But the walk Westward with his girl, together with pride in a daughter who clove her way through all weathers, won his heart to exultation. He told her: ‘Fredi does her dada so much good’; not telling her in what, or opening any passage to the mystery of the man he was. She was trying to be a student of life, with her eyes down upon hard earth, despite of her winged young head; she would have compassed him better had he dilated in sublime fashion; but he baffled her perusal of a man of power by the simpleness of his enjoyment of small things coming in his way;—the lighted shops, the crowd, emergence from the crowd, or the meeting near midwinter of a soft warm wind along the Embankment, and dark Thames magnificently coroneted over his grimy flow. There is no grasping of one who quickens us.
His flattery of his girl, too, restored her broken feeling of personal value; it permeated her nourishingly from the natural breath of him that it was.
At times he touched deep in humaneness; and he set her heart leaping on the flash of a thought to lay it bare, with the secret it held, for his help. That was a dream. She could more easily have uttered the words to Captain Dartrey, after her remembered abashing holy tremour of the vision of doing it and casting herself on noblest man’s compassionateness; and her imagined thousand emotions;—a rolling music within her, a wreath of cloudglory in her sky;—which had, as with virgins it may be, plighted her body to him for sheer urgency of soul; drawn her by a single unwitting-to-brain, conscious-in-blood, shy curl outward of the sheathing leaf to the flowering of woman to him; even to the shore of that strange sea, where the maid stands choosing this one man for her destiny, as in a trance. So are these young ones unfolded, shade by shade; and a shade is all the difference with them; they can teach the poet to marvel at the immensity of vitality in ‘the shadow of a shade.’
Her father shut the glimpse of a possible speaking to him of Mrs. Marsett, with a renewal of his eulogistic allusions to Dudley Sowerby: the ‘perfect gentleman, good citizen’; prospective heir to an earldom besides. She bowed to Dudley’s merits; she read off the honorific pedimental letters of a handsome statue, for a sign to herself that she passed it.
She was unjust, as Victor could feel, though he did not know how coldly unjust. For among the exorbitant requisitions upon their fellow-creatures made by the young, is the demand, that they be definite: no mercy is in them for the transitional. And Dudley—and it was under her influence, and painfully, not ignobly—was in process of development: interesting to philosophers, if not to maidens.
Victor accused her of paying too much heed to Colney Durance’s epigrams upon their friends. He quite joined with his English world in its opinion, that epigrams are poor squibs when they do not come out of great guns. Epigrams fired at a venerable nation, are surely the poorest of popgun paper pellets. The English kick at the insolence, when they are not in the mood for pelleting themselves, or when the armed Foreigner is overshadowing and braceing. Colney’s pretentious and laboured Satiric Prose Epic of ‘THE RIVAL TONGUES,’ particularly offended him, as being a clever aim at no hitting; and sustained him, inasmuch as it was an acid friend’s collapse. How could Colney expect his English to tolerate such a spiteful diatribe! The suicide of Dr. Bouthoin at San Francisco was the finishing stroke to the chances of success of the Serial;—although we are promised splendid evolutions on the part of Mr. Semhians; who, after brilliant achievements with bat and ball, abandons those weapons of Old England’s modern renown, for a determined wrestle with our English pronunciation of words, and rescue of the spelling of them from the printer. His headache over the present treatment of the verb ‘To bid,’ was a quaint beginning for one who had soon to plead before Japanese, and who acknowledged now ‘in contrition of spirit,’ that in formerly opposing the scheme for an Academy, he helped to the handing of our noble language to the rapid reporter of news for an apathetic public. Further, he discovered in astonishment the subordination of all literary Americans to the decrees of their literary authorities; marking a Transatlantic point of departure, and contrasting ominously with the unruly Islanders ‘grunting the higgledy-piggledy of their various ways, in all the porker’s gut-gamut at the rush to the trough.’ After a week’s privation of bat and ball, he is, lighted or not, a gas-jet of satire upon his countrymen. As for the ‘pathetic sublimity of the Funeral of Dr. Bouthoin,’ Victor inveighed against an impious irony in the over dose of the pathos; and the same might be suspected in Britannia’s elegy upon him, a strain of hot eulogy throughout. Mr. Semhians, all but treasonably, calls it, Papboat and Brandy:—‘our English literary diet of the day’: stimulating and not nourishing. Britannia’s mournful anticipation, that ‘The shroud enwinding this my son is mine!’—should the modern generation depart from the track of him who proved himself the giant in mainly supporting her glory—was, no doubt, a high pitch of the note of Conservatism. But considering, that Dr. Bouthoin ‘committed suicide under a depression of mind produced by a surfeit of unaccustomed dishes, upon a physical system inspired by the traditions of exercise, and no longer relieved by the practice’—to translate from Dr. Gannius: we are again at war with the writer’s reverential tone, and we know not what to think: except, that Mr. Durance was a Saturday meat market’s butcher in the Satiric Art.