Should thy love die;
O bury it where the sweet wild-flowers blow!
And breezes go by,
With no whisper of woe;
And strange feet cannot guess of the anguish that slumbers below.
Should thy love die;
O wander once more to the haunt of the bee!
Where the foliaged sky
Is most sacred to see,
And thy being first felt its wild birth like a wind-wakened tree.
Should thy love die;
O dissemble it! smile! let the rose hide the thorn!
While the lark sings on high,
And no thing looks forlorn,
Bury it, bury it, bury it where it was born.
TO ALEX. SMITH, THE ‘GLASGOW POET,’ [164]
ON HIS SONNET TO ‘FAME’
Not vainly doth the earnest voice of man
Call for the thing that is his pure desire!
Fame is the birthright of the living lyre!
To noble impulse Nature puts no ban.
Nor vainly to the Sphinx thy voice was raised!
Tho’ all thy great emotions like a sea,
Against her stony immortality,
Shatter themselves unheeded and amazed.
Time moves behind her in a blind eclipse:
Yet if in her cold eyes the end of all
Be visible, as on her large closed lips
Hangs dumb the awful riddle of the earth;—
She sees, and she might speak, since that wild call,
The mighty warning of a Poet’s birth.
GRANDFATHER BRIDGEMAN
I
‘Heigh, boys!’ cried Grandfather Bridgeman, ‘it’s time before dinner to-day.’
He lifted the crumpled letter, and thumped a surprising ‘Hurrah!’
Up jumped all the echoing young ones, but John, with the starch in his throat,
Said, ‘Father, before we make noises, let’s see the contents of the note.’
The old man glared at him harshly, and twinkling made answer: ‘Too bad!
John Bridgeman, I’m always the whisky, and you are the water, my lad!’
II
But soon it was known thro’ the house, and the house ran over for joy,
That news, good news, great marvels, had come from the soldier boy;
Young Tom, the luckless scapegrace, offshoot of Methodist John;
His grandfather’s evening tale, whom the old man hailed as his son.
And the old man’s shout of pride was a shout of his victory, too;
For he called his affection a method: the neighbours’ opinions he knew.