“Does my face frighten him?” Emilia thought. It made her look on herself with a foreign eye. This is a dreadful but instructive piece of contemplation; acting as if the rich warm blood of self should have ceased to hug about us, and we stand forth to be dissected unresistingly. All Emilia's vital strength now seemed to vanish. At the renewal of Mr. Pericles' peremptory mandate for her to sing, she could neither appeal to him, nor resist; but, raising her chest, she made her best effort, and then covered her face. This was done less for concealment of her shame-stricken features than to avoid sight of the stupefaction imprinted upon Mr. Pericles.
“Again, zat A flat!” he called sternly.
She tried it.
“Again!”
Again she did her utmost to accomplish the task. If you have seen a girl in a fit of sobs elevate her head, with hard-shut eyelids, while her nostrils convulsively take in a long breath, as if for speech, but it is expended in one quick vacant sigh, you know how Emilia looked. And it requires a humane nature to pardon such an aspect in a person from whom we have expected triumphing glances and strong thrilling tones.
“What is zis?” Mr. Pericles came nearer to her.
He would listen to no charges against the atmosphere. Commanding her to give one simple run of notes, a contralto octave, he stood over her with keenly watchful eyes. Sir Purcell bade him observe her distress.
“I am much obliged,” Mr. Pericles bowed, “she is ruined. I have suspected. Ha! But I ask for a note! One!”
This imperious signal drew her to another attempt. The deplorable sound that came sent Emilia sinking down with a groan.
“Basta, basta! So, it is zis tale,” said Mr. Pericles, after an observation of her huddled shape. “Did I not say—”