"This is his favourite tune, that he taught me," she emphasized to the company. "I play to him every night, for a finish; and then he takes care not to knock my poor harp to pieces and tumble about."
The gentlemen were amused by the Giles Scroggins air, which she had delivered with a sufficient sense of its lumping fun and leg-for-leg jollity, and they laughed and applauded; but the ladies were silent after the performance, until the moment came to thank her for the entertainment she had afforded them: and then they broke into gentle smiles, and trusted they might have the pleasure of hearing her another night.
"Oh! just as often and as much as you like," she said, and first held her hand to Arabella, next to Cornelia, and then to Adela. She seemed to be hesitating before the gentlemen, and when Wilfrid raised his hat, she was put to some confusion, and bowed rather awkwardly, and retired.
"Good night, miss!" called Mr. Pericles.
"Good night, sir!" she answered from a little distance, and they could see that she was there emboldened to drop a proper curtsey in accompaniment.
Then the ladies stood together and talked of her, not with absolute enthusiasm. For, "Was it not divine?" said Adela; and Cornelia asked her if she meant the last piece; and, "Oh, gracious! not that!" Adela exclaimed. And then it was discovered how their common observation had fastened on the boot-lace; and this vagrant article became the key to certain speculations on her condition and character.
"I wish I'd had a dozen bouquets, that's all!" cried Wilfrid. "she deserved them."
"Has she sentiment for what she sings? or is it only faculty?" Cornelia put it to Mr. Sumner.
That gentleman faintly defended the stranger for the intrusion of the bumpkin tune. "She did it so well!" he said.
"I complain that she did it too well," uttered Cornelia, whose use of emphasis customarily implied that the argument remained with her.