In the park-path, leading to the wood, Arabella was seen as they came out the young branches that fringed the firs. She hurried up.
"I have been looking for you. Papa has arrived with Sir Twickenham
Pryme, who dines with us."
Adela unhesitatingly struck a blow.
"Lady Pryme, we make place for you."
And she crossed to Cornelia. Cornelia kept her eyes fixed on Adela's mouth, as one looks at a place whence a venomous reptile has darted out. Her eyelids shut, and she stood a white sculpture of pain, pitiable to see. Emilia took her hand, encouraging the tightening fingers with a responsive pressure. The group shuffled awkwardly together, though Adela did her best. She was very angry with Mr. Barrett for wearing that absurdly pale aspect. She was even angry with his miserable bankrupt face for mounting a muscular edition of the smile Cornelia had shown. "His feelings!" she cried internally; and the fact presented itself to her, that feelings were a luxury utterly unfit for poor men, who were to be accused of presumption for indulging in them.
"Now, I suppose you are happy?" she spoke low between Arabella and
Edward.
The effect of these words was to colour violently two pair of cheeks.
Arabella's behaviour did not quite satisfy the fair critic. Edward
Buxley was simply caught in a trap: He had the folly to imagine that by
laughing he released himself.
"Is not that the laugh of an engaged?" said Adela to Freshfield.
He replied: "That would have been my idea under other conditions," and looked meaningly.
She met the look with: "There are harsh conditions in life, are there not?" and left him sufficiently occupied by his own sensations.