"He can afford to—comes of a family," said Mr. Pole, and struck up a bit of "Celia's Arbour," which wandered into "The Soldier Tired," as he came bendingly, both sets of fingers filliping, toward Emilia, with one of those ancient glee—suspensions, "Taia—haia—haia—haia," etc., which were meant for jolly fellows who could bear anything.
"Eh?" went Mr. Pole, to elicit approbation in return.
Emilia smoothed the wrinkles of her face, and smiled.
"There's nothing like Port," said Mr. Pole. "Get little Runningbrook to write a song: "There's nothing like Port." You put the music. I'll sing it."
"You will," cried Emilia.
"Yes, upon my honour! now my feet are warmer, I by Jingo! what's that?" and again he wore that strange calculating look, as if he were being internally sounded, and guessed at his probable depth. "What a twitch! Something wrong with my stomach. But a fellow must be all right when his spirits are up. We'll be off as quick as we can. Taia—haihaia—hum. If the farce is bad, it's my last night of theatre-going."
The delight at being in a theatre kept Emilia dumb when she gazed on the glittering lights. After an inspection of the house, Mr. Pole kindly remarked: "You must marry and get out of this. This'd never do. All very well in the boxes: but on the stage—oh, no! I shouldn't like you to be there. If my girls don't approve of the doctor, they shall look out somebody for you. I shouldn't like you to be painted, and rigged out; and have to squall in this sort of place. Stage won't do for you. No, no!"
Emilia replied that she had given up the stage; and looked mournfully at the drop-scene, as at a lost kingdom, scarcely repressing her tears.
The orchestra tuned and played a light overture. She followed up the windings of the drop-scene valley, meeting her lover somewhere beneath the castle-ruin, where the river narrowed and the trees intertwined. On from dream to dream the music carried her, and dull fell the first words of the farce. Mr. Pole said, "Now, then!" and began to chuckle. As the farce proceeded, he grew more serious, repeating to Emilia, quite anxiously: "I wonder whether that boy Braintop's enjoying it." Emilia glanced among the sea of heads, and finally eliminated the head of Braintop, who was respectfully devoting his gaze to the box she occupied. When Mr. Pole had been assisted to discover him likewise, his attention alternated between Braintop and the stage, and he expressed annoyance from time to time at the extreme composure of Braintop's countenance. "Why don't the fellow laugh? Does he think he's listening to a sermon?" Poor Braintop, on his part, sat in mortal fear lest his admiration of Emilia was perceived. Divided? between this alarming suspicion, and a doubt that the hair on his forehead was not properly regulated, he became uneasy and fitful in his deportment. His imagination plagued him with a sense of guilt, which his master's watchfulness of him increased. He took an opportunity to furtively to eye himself in a pocket-mirror, and was subsequently haunted by an additional dread that Emilia might have discovered the instrument; and set him down as a vain foolish dog. When he saw her laugh he was sure of it. Instead of responding to Mr. Pole's encouragement, he assumed a taciturn aspect worthy of a youthful anchorite, and continued to be the spectator of a scene to which his soul was dead.
"I believe that fellow's thinking of nothing but his supper," said Mr.
Pole.