‘You know I hate responsibility.’
‘The chorus in classical dramas had generally that sentiment, but the singing was the sweeter for it.’
‘Whom do you not win when you condescend to the mood, you dear boy?’
He restrained a bitter reply, touching the kind of persons he had won: a girl from the mountains, a philosophical tramp of the roads, troops of the bought.
Livia spelt at the problem he was. She put away the task of reading it. He departed to see Lady Arpington, and thereby rivet his chains.
As Livia had said, she was a torch. Lady Endor, Lady Eldritch, Lady Cowry, kindled at her. Again there were flights of the burning brands over London. The very odd marriage; the no-marriage; the two-ends-of-the-town marriage; and the maiden marriage a fruitful marriage; the monstrous marriage of the countess productive in banishment, and the unreadable earl accepting paternity; this Amazing Marriage was again the riddle in the cracker for tattlers and gapers. It rattled upon the world’s native wantonness, the world’s acquired decorum: society’s irrepressible original and its powerfully resisting second nature. All the rogues of the fine sphere ran about with it, male and female; and there was the narrative that suggestively skipped, and that which trod the minuet measure, dropping a curtsey to ravenous curiosity; the apology surrendering its defensible cause in supplications to benevolence; and the benevolence damnatory in a too eloquent urgency; followed by the devout objection to a breath of the subject, so blackening it as to call forth the profanely circumstantial exposition. Smirks, blushes, dead silences, and in the lower regions roars, hung round it.
But the lady, though absent, did not figure poorly at all. Granting Whitechapel and the shillelagh affair, certain whispers of her good looks, contested only to be the more violently asserted; and therewith Rose Mackrell’s tale of her being a ‘young woman of birth,’ having a ‘romantic story to tell of herself and her parentage,’ made her latest performance the champagne event of it hitherto. Men sparkled when they had it on their lips.
How, then, London asked, would the Earl of Fleetwood move his pieces in reply to his countess’s particularly clever indication of the check threatening mate?
His move had no relation to the game, it was thought at first. The world could not suppose that he moved a simple pawn on his marriage board. He purchased a shop in Piccadilly for the sale of fruit and flowers.
Lady Arpington was entreated to deal at the shop, Countess Livia had her orders; his friends, his parasites and satellites, were to deal there. Intensely earnest as usual, he besought great ladies to let him have the overflow of their hothouses; and they classing it as another of the mystifications of a purse crazy for repleteness, inquired: ‘But is it you we are to deal with?’ And he quite seriously said: ‘With me, yes, at present.’ Something was behind the curtain, of course. His gravity had the effect of the ultra-comical in concealing it.