Poor John Todhunter, who would rather have married the mother, and had none of your heroic notions about the sacred necessity for love in marriage, moved as one guiltless of offence, and deserving his happiness. Mrs. Doria shielded him from the hero. To see him smile at Clare's obedient figure, and try not to look paternal, was touching.
Meantime Clare's marriage served one purpose. It completely occupied Richard's mind, and prevented him from chafing at the vexation of not finding his father ready to meet him when he came to town. A letter had awaited Adrian at the hotel, which said, "Detain him till you hear further from me. Take him about with you into every form of society." No more than that. Adrian had to extemporize, that the baronet had gone down to Wales on pressing business, and would be back in a week or so. For ulterior inventions and devices wherewith to keep the young gentleman in town, he applied to Mrs. Doria. "Leave him to me," said Mrs. Doria, "I'll manage him." And she did.
"Who can say," asks The Pilgrim's Scrip, "when he is not walking a puppet to some woman?"
Mrs. Doria would hear no good of Lucy. "I believe," she observed, as Adrian ventured a shrugging protest in her behalf,—"it is my firm opinion, that a scullery-maid would turn any of you men round her little finger—only give her time and opportunity." By dwelling on the arts of women, she reconciled it to her conscience to do her best to divide the young husband from his wife till it pleased his father they should live their unhallowed union again. Without compunction, or a sense of incongruity, she abused her brother and assisted the fulfilment of his behests.
So the puppets were marshalled by Mrs. Doria, happy, or sad, or indifferent. Quite against his set resolve and the tide of his feelings, Richard found himself standing behind Clare in the church—the very edifice that had witnessed his own marriage, and heard, "I, Clare Doria, take thee John Pemberton," clearly pronounced. He stood, with black brows dissecting the arts of the tailor and hairdresser on unconscious John. The back, and much of the middle, of Mr. Todhunter's head was bald; the back shone like an egg-shell, but across the middle the artist had drawn two long dabs of hair from the sides, and plastered them cunningly, so that all save wilful eyes would have acknowledged the head to be covered. The man's only pretension was to a respectable juvenility. He had a good chest, stout limbs, a face inclined to be jolly. Mrs. Doria had no cause to be put out of countenance at all by the exterior of her son-in-law: nor was she. Her splendid hair and gratified smile made a light in the church. Playing puppets must be an immense pleasure to the practical animal. The Forey bridesmaids, five in number, and one Miss Doria, their cousin, stood as girls do stand at these sacrifices, whether happy, sad, or indifferent; a smile on their lips and tears in attendance. Old Mrs. Todhunter, an exceedingly small ancient woman, was also there. "I can't have my boy John married without seeing it done," she said, and throughout the ceremony she was muttering audible encomiums on her John's manly behaviour.
The ring was affixed to Clare's finger; there was no ring lost in this common-sense marriage. The instant the clergyman bade him employ it, John drew the ring out, and dropped it on the finger of the cold passive hand in a business-like way, as one who had studied the matter. Mrs. Doria glanced aside at Richard. Richard observed Clare spread out her fingers that the operation might be the more easily effected.
He did duty in the vestry a few minutes, and then said to his aunt:
"Now I'll go."
"You'll come to the breakfast, child? The Foreys"——
He cut her short. "I've stood for the family, and I'll do no more. I won't pretend to eat and make merry over it."