"Because I'm such a rake. I don't know any other reason. No; I hate sentimental songs. Won't sing that. Ta-tiddy-tiddy-iddy—a ... e! How ridiculous those women were, coming home from Richmond!
'Once the sweet romance of story
Clad thy moving form with grace;
Once the world and all its glory
Was but framework to thy face.
Ah, too fair!—what I remember,
Might my soul recall—but no!
To the winds this wretched ember
Of a fire that falls so low!'
"Hum! don't much like that. Tum-te-tum-tum—accanto al fuoco—heigho! I don't want to show off, Dick—or to break down—so I won't try that.
'Oh! but for thee, oh! but for thee,
I might have been a happy wife,
And nursed a baby on my knee,
And never blushed to give it life.'
"I used to sing that when I was a girl, sweet Richard, and didn't know at all, at all, what it meant. Mustn't sing that sort of song in company. We're oh! so proper—even we!
'If I had a husband, what think you I'd do?
I'd make it my business to keep him a lover;
For when a young gentleman ceases to woo,
Some other amusement he'll quickly discover.'
"For such are young gentlemen made of—made of: such are young gentlemen made of!"
After this trifling she sang a Spanish ballad sweetly. He was in the mood when imagination intensely vivifies everything. Mere suggestion of music sufficed. The lady in the ballad had been wronged. Lo! it was the lady before him; and soft horns blew; he smelt the languid night-flowers; he saw the stars crowd large and close above the arid plain: this lady leaning at her window desolate, pouring out her abandoned heart.
Heroes know little what they owe to champagne.