There was evidently an unusual activity among the gendarmerie of the lower valley, the Val di Non; for Jacopo had to repeat his fable more than once, and Angelo thought it prudent not to make inquiries about travellers. In this valley they were again in summer heat. Summer splendours robed the broken ground. The Val di Non lies toward the sun, banked by the Val di Sole, like the southern lizard under a stone. Chestnut forest and shoulder over shoulder of vineyard, and meadows of marvellous emerald, with here and there central partly-wooded crags, peaked with castle-ruins, and ancestral castles that are still warm homes, and villages dropped among them, and a river bounding and rushing eagerly through the rich enclosure, form the scene, beneath that Italian sun which turns everything to gold. There is a fair breadth to the vale: it enjoys a great oval of sky: the falls of shade are dispersed, dot the hollow range, and are not at noontide a broad curtain passing over from right to left. The sun reigns and also governs in the Val di Non.
'The grape has his full benefit here, padrone,' said Jacopo.
But the place was too populous, and too much subjected to the general eye, to please Angelo. At Cles they were compelled to bear an inspection, and a little comedy occurred. Jacopo, after exhibiting Angelo as his son-in-law, seeing doubts on the soldiers' faces, mentioned the name of the German suitor for his daughter's hand—the carpenter, Johann Spellmann, to whose workshop he requested to be taken. Johann, being one of the odd Germans in the valley, was well known: he was carving wood astride a stool, and stopped his whistling to listen to the soldiers, who took the first word out of Jacopo's mouth, and were convinced, by Johann's droop of the chin, that the tale had some truth in it; and more when Johann yelled at the Valtelline innkeeper to know why, then, he had come to him, if he was prepared to play him false. One of the soldiers said bluntly, that as Angelo's appearance answered to the portrait of a man for whom they were on the lookout, they would, if their countryman liked, take him and give him a dose of marching and imprisonment.
'Ach! that won't make my little Rosetta love me better,' cried Johann, who commenced taking up a string of reproaches against women, and pitched his carving-blade and tools abroad in the wood-dust.
'Well, now, it 's queer you don't want to fight this lad,' said Jacopo; 'he's come to square it with you that way, if you think best.'
Johann spared a remark between his vehement imprecations against the sex to say that he was ready to fight; but his idea of vengeance was directed upon the abstract conception of a faithless womankind. Angelo, by reason of his detestation of Germans, temporarily threw himself into the part he was playing to the extent of despising him. Johann admitted to Jacopo that intervals of six months' duration in a courtship were wide jumps for Love to take.
'Yes; amor! amor!' he exclaimed with extreme dejection; 'I could wait. Well! since you've brought the young man, we'll have it out.'
He stepped before Angelo with bare fists. Jacopo had to interpose. The soldiers backed Johann, who now said to Angelo, 'Since you've come for it, we'll have it out.'
Jacopo had great difficulty in bringing him to see that it was a matter to talk over. Johann swore he would not talk about it, and was ready to fight a dozen Italians, man up man down.
'Bare-fisted?' screamed Jacopo.