'I dare nothing when I simply do my duty.'

Ammiani went up to the window, and leaned there, eyeing the lights leading down to the crowding Piazza. He wished that he were among the crowd, and might not hear those sharp stinging utterances coming from Laura, and Vittoria's unwavering replies, less frequent, but firmer, and gravely solid. Laura spent her energy in taunts, but Vittoria spoke only of her resolve, and to the point. It was, as his military instincts framed the simile, like the venomous crackling of skirmishing rifles before a fortress, that answered slowly with its volume of sound and sweeping shot. He had the vision of himself pleading to secure her safety, and in her hearing, on the Motterone, where she had seemed so simple a damsel, albeit nobly enthusiastic: too fair, too gentle to be stationed in any corner of the conflict at hand. Partly abased by the remembrance of his brainless intercessions then, and of the laughter which had greeted them, and which the signora had recently recalled, it was nevertheless not all in self-abasement (as the momentary recognition of a splendid character is commonly with men) that he perceived the stature of Vittoria's soul. Remembering also what the Chief had spoken of women, Ammiani thought 'Perhaps he has known one such as she.' The passion of the young man's heart magnified her image. He did not wonder to see the signora acknowledge herself worsted in the conflict.

'She talks like the edge of a sword,' cried Laura, desperately, and dropped into a chair. 'Take her home, and convince her, if you can, on the way, Carlo. I go to the Duchess of Graatli to-night. She has a reception. Take this girl home. She says she will sing: she obeys the Chief, and none but the Chief. We will not suppose that it is her desire to shine. She is suspected; she is accused; she is branded; there is no general faith in her; yet she will hold the torch to-morrow night:—and what ensues? Some will move, some turn back, some run headlong over to treachery, some hang irresolute all are for the shambles! The blood is on her head.'

'I will excuse myself to you another time,' said Vittoria. 'I love you, Signora Laura.'

'You do, you do, or you would not think of excusing yourself to me,' said Laura. 'But now, go. You have cut me in two. Carlo Ammiani may succeed where I have failed, and I have used every weapon; enough to make a mean creature hate me for life and kiss me with transports. Do your best, Carlo, and let it be your utmost.'

It remained for Ammiani to assure her that their views were different.

'The signorina persists in her determination to carry out the programme indicated by the Chief, and refuses to be diverted from her path by the false suspicions of subordinates.' He employed a sententious phraseology instinctively, as men do when they are nervous, as well as when they justify the cynic's definition of the uses of speech. 'The signorina is, in my opinion, right. If she draws back, she publicly accepts the blot upon her name. I speak against my own feelings and my wishes.'

'Sandra, do you hear?' exclaimed Laura. 'This is a friend's interpretation of your inconsiderate wilfulness.'

Vittoria was content to reply, 'The Signor Carlo judges of me differently.'

'Go, then, and be fortified by him in this headstrong folly.' Laura motioned her hand, and laid it on her face.