Self had been her ruin; she had never been able to get away from self, no, not for a single moment of her life. All her love stories had been ruined and disfigured by self-assertion, not a great unconscious self, in other words an instinct, but an extremely conscious, irritable, mean, and unworthy self. She knew it all, she was not deceived. She could no more cheat herself than she could change herself; that wretched self was as present in her at this moment as it had ever been; she was as much a slave to herself as she had ever been, and knowledge of her fault helped her nothing in its correction. She could not change herself, she would have to bear the burden of herself to the end. Even now, when she ought to be absorbed in grief for her brother's death she was thinking of herself, of how she should live, for live she must; she did not know why, she did not know how. She had tried everything and failed, and marriage stared her in the face as the only solution of the difficulty of her life. She had promised Alfred Stanby to marry him that afternoon. Should she keep that promise? Could she keep that promise? … A thought fell into her mind. Did Alfred know of her brother's death when he proposed to her? She had heard something about a cigar; Harold had gone to the house to fetch one. A few minutes after she had seen Alfred walking towards the house. Had he gone to the smoking-room… found Harold dead on the sofa and come and proposed to her?
'It is my money and not myself that has tempted him back,' she cried, and she looked down the long line of her lovers. She had given her money to M. Delacour…. But no, he had loved her whatever the others might think, she knew that was so…. She could have had the Comte de la Ferriere, and how many others?—rich men, too—men to whom money was no consideration. But she had come back to Sutton to be married for her money; and to whom? an old, discarded lover.
XXII.
As she tossed to and fro, the recollections of the day turned in her brain, ticking loudly; and she could see each event as distinctly as the figures on the dial of a great clock.
She saw the girls playing tennis, and Alfred walking towards the house…. She did not see him enter the house, it is true; but she had met him coming from the house. They had walked to the end of the garden, and had sat down under the elms not very far from the spot where she had rejected him five years before.
His hesitations had amused her. At last he had taken her hand and had asked her to marry him. There had been something strange in his manner. Something had struck her at the time, but the impression passed in the pride of seeing him fall a prey to her enchantment.
But it was her money that he was thinking of all the while…. She wondered if she was accusing him unjustly, and this led her into a long analysis of his character. 'But all this thinking leads nowhere,' she cried, throwing herself over in her hot bed. 'The mere probability that a man should marry me for my money would poison my whole life. But I shall have to marry some one…. I'm weary of my present life, and marriage is the only way of changing it. I cannot live alone, I'd have to take a companion; that would be odious. I am not suited to marriage; but from marriage there did not seem to be any escape. All girls must marry, rich and poor alike; there seems no escape, though it is impossible to say why. I have tried all my life to find escape from marriage, and here I am back at the same point. Everything comes back to the same point in the end. But whom am I to marry? Alfred? No, I could not marry a man whom I suspected was marrying me for my money. But how is one ever to know? …'
She thought of Morton, and the remembrance of their life at Barbizon came upon her, actively as the odour of the lilies. He had loved her for herself; he had only thought of her…. He had always been nice, and she didn't know why she had spoken against him; it wasn't her fault…. Nor did she know why she had run away from Barbizon. Ah, those nights at Barbizon! those yellow moons shining upon the forest, upon the mist in the fields, and along the verge of the forest. Ah, how the scent of the fields and the forest used to fill their rooms at night, sweet influences, wonderful influences, which she would never forget…. This present night reminded her of the Barbizon nights. And as she got out of bed the sweetness of the syringa mingled with the sweetness of her body. She took a scarf from her wardrobe and wound it about her, because she feared a chill, and because she wished to look well as she stood in front of the soft night, calling upon her lover.
'Come,' she said. 'I'm waiting for you. Come, oh, my lover, and you'll find me no longer cold. I'm a Juliet burning for Romeo's kisses. My lover, my husband, come…. I have lived too long on the surface of things. I want to know life, to drink of life… and with you. Your Juliet awaits you; delay not, Romeo; come now, this very instant, or come not at all, for to-morrow instead of living fire, you may find dead ashes.'
She held her arms to the night, and the scents of night mingled with the passion of her bosom. But a wind rustled the leaves in the garden, and, drawing the scarf tightly about her, she said: 'Should I have turned from him if he had come, I wonder? Why should the idea transport, and the reality extinguish? Why cannot I live in natural instinct? … I can, I will…. Morton shall come back…. He has not married Rose Turner; I should have heard of it if he had…. I've only to hold up my finger, and he will come back. But if I did get him back, and he did propose, how do I know that it would not be for my money? A love once dead cannot be revived; nothing ever happens twice.'