'We're a little late, aren't we, dear. We're so sorry,' said Elsie.
'How do you do, dear,' said Cissy.
Mildred introduced her friends. They bowed, and shook hands with Mrs. Fargus, but were at no pains to conceal their indifference to the drab and dowdy little woman in the soiled sage green, and the glimmering spectacles. 'What a complexion,' whispered Elsie the moment they were outside the door. 'What's her husband like?' asked Cissy as they descended the first flight. Mildred answered that Mr. Fargus suffered from asthma, and hoped no further questions would be asked, so happy was she in the sense of real emancipation from the bondage of home—so delighted was she in the spectacle of the great boulevard, now radiant with spring sunlight.
She wondered at the large blue cravats of idlers, sitting in cafes freshly strewn with bright clean sand, at the aprons of the waiters,— the waiters were now pouring out green absinthe,—at the little shop girls in tight black dresses and frizzled hair, passing three together arm in arm; all the boulevard amused and interested Mildred. It looked so different, she said, from what it had done four hours before. 'But none of us look our best at six in the morning,' she added laughing, and her friends laughed too. Elsie and Cissy chattered of some project to dine with Walter, and go to the theatre afterwards, and incidentally Mildred learnt that Hopwood Blunt would not be in Paris before the end of the week. But where was the studio? The kiosques were now open, the morning papers were selling briskly, the roadway was full of fiacres plying for hire, or were drawn up in lines three deep, the red waistcoated coachmen slept on their box-seats. But where was the studio?
Suddenly they turned into an Arcade. The shops on either side were filled with jet ornaments, fancy glass, bon-bons, boxes, and fans. Cissy thought of a present for Hopwood—that case of liqueur glasses. Mildred examined a jet brooch which she thought would suit Mrs. Fargus. Elsie wished that Walter would present her with a fan; and then they went up a flight of wooden stairs and pushed open a swing door. In a small room furnished with a divan, a desk, and a couple of cane chairs, they met M. Daveau. He wore a short jacket and a brown- black beard. He shook hands with Elsie and Cissy, and was introduced to Mildred. Elsie said:
'You speak better than we do. Tell him you've come here to study.'
'I've come to Paris to study painting,' said Mildred. 'But I don't know which I shall join, the ladies' studio or the men's studio. Miss Laurence and Miss Clive advised me to work here, in the men's studio.'
'I know Miss Laurence and Miss Clive very well.' There was charm in his voice, and Mildred was already interested in him. Cissy and Elsie had drawn a curtain at the end of the room and were peeping into the studio. 'Miss Laurence and Miss Clive,' he said, 'worked here for more than a year. They made a great deal of progress—a great deal. They worked also in the ladies' studio, opposite.'
'Ah, that is what I wanted to speak to you about. Would you advise me to work in the men's studio? Do you think it would be advisable? Do you think there would be any advantages?'
'We have some very clever pupils here—very clever; of course it is of great advantage to work with clever pupils.'