"I was never better accompanied. You made no mistake."

As they passed by her the other nuns thanked her under their breath. She could see that they looked upon her as a providence sent by God to save them from being cast back upon the world they dreaded, the world from which they had fled. But all this extraordinary drama, this intensity of feeling, remained inarticulate. They could only say, "Thank you, Miss Innes; it was very good of you to come to sing for us." It was their very dumbness that made them seem so wonderful. It was the dumbness of these women—they could only speak in prayer—it was that that overcame her. But the Reverend Mother was different. Evelyn listened to her, thinking of nothing but her, and when the Reverend Mother left her, Evelyn moved away, still under the spell of the authoritative sweetness which her presence and manner exhaled. But the Reverend Mother was only a part of a scheme of life founded on principles the very opposite to those on which she had attempted to construct her life. Even in singing the "Ave Maria," she had not been able to subdue her vanity. Her pleasure in singing it had in a measure sprung out of the somewhat mean desire to proclaim her superiority over those who had attained the highest plane by renouncing all personal pride. They had proclaimed their superiority in their obeisance. It was in giving, not in receiving, praise that we rise above ourselves. This was the lesson that every moment of her convent life impressed upon her. Her thoughts went back to the Reverend Mother, and Evelyn thought of her as of some woman who had come to some terrible crisis in her worldly life—some crisis violent as the crisis that had come in her own life. The Reverend Mother must have perceived, just as she had done, as all must do sooner or later, that life out of the shelter of religion becomes a sort of nightmare, an intolerable torture. Then she wondered if the Reverend Mother were a widow—that appeared to her likely. One who had suffered some great disaster—that too seemed to her likely. She had been an ambitious woman. Was she not so still? Is a passion ever obliterated? Is it not rather transformed? If she had been personally ambitious, she was now ambitious only for her convent: her passion had taken another direction. And applying the same reasoning to herself, she seemed to see a future for herself in which her love passions would become transformed and find their complete expressions in the love of God.

The Reverend Mother again addressed her, and Evelyn considered what age she might be. Between sixty and seventy in point of years, but she seemed so full of intelligence, wisdom and sweetness that she did not suggest age; one did not think of her as an old woman. Her slight figure still retained its grace, and though a small woman, she suggested a tall one; and the moment she spoke there was the voice which drew you like silk and entangled you as in a soft winding web. Evelyn smiled a little as she listened, for she was thinking how the Reverend Mother as a young woman must have swayed men. Presumably at one time it had pleased her to sway men's passion, or at least it pleased Evelyn's imagination to think it had. Not that she thought the Reverend Mother had ever been anything but a good woman, but she had been a woman of the world, and Evelyn attributed no sin to that. Even the world is not wholly bad; the Reverend Mother and Monsignor owed their personal magnetism to the world. Without the world they would have been like Father Daly and Mother Philippa—holy simplicities. She looked at the quiet nun, and her simple good nature touched her. Evelyn went toward her. Sister Mary John broke into the conversation so often that the Reverend Mother had once to check her.

"Sister Mary John, we hope that Miss Innes will sing to-morrow and every day while she is with us. But she must do as she likes, and these musical questions are not what we are talking about now."

But Sister Mary John was hardly at all abashed at this reproof. She was clearly the only one who stood in no awe of the Reverend Mother.

They were sitting on the terrace, and a mauve sunset faded in the grey sky. There was a strange wistfulness in the autumn air and in the dim garden where the gentle nuns were taking their recreation. There was a subtle harmony in the grey habits and floating veils; they blended and mingled with the blue mist that was rising among the trees. And a pale light fell across the faded lawns, and Evelyn looked into the light, and felt the pang that the passing of things brings into the heart. This spectacle of life seemed to her strangely pathetic, and it seemed to mean something which eluded her, and which she would have given a great deal to have been able to express. Music alone could express the yearning that haunted her heart, the plaint of the Rhine Maidens was the nearest to what she felt, and she began to sing their song. Sister Mary John asked her eagerly what she was singing. She would have told her, but the Reverend Mother grew impatient with Sister Mary John.

"You must be introduced to Mother Mary Hilda, our novice mistress, then you will know all the mothers except our dear Mother Christina, who is quite an invalid now, and rarely leaves her cell."

On St. Peter's path a little group of nuns were walking up and down, pressing round a central figure. They were faint grey shadows, and their meaning would not be distinguished in the violet dusk. It was like a half-effaced picture in which the figures are nearly lost in the background; their voices, however, sounded clear, and their laughter was mysterious and far distant, yet distinct in the heart. Evelyn again began to hum the plaint of the Rhine Maidens. But the voices of the novices were more joyous, for they, Evelyn thought, have renounced both love and gold. The Reverend Mother clapped her hands to attract attention, and one of the novices, it was Sister Veronica, ran to them.

"Ask Mother Mary Hilda to come and speak to me, Veronica."

"Yes, Reverend Mother;" and Veronica ran with the message without once looking at Evelyn. Mother Mary Hilda crossed the lawn toward them, and Evelyn noticed her gliding, youthful walk. She was younger than the prioress or even the sub-prioress. And she had that attractive youthfulness of manner which often survives in the cloister after middle age.