Mike looked round as if to assure himself that he was back again dining at Lubi's. It was the same little white-painted gallery, filled with courtesans, music-hall singers, drunken lords, and sarcastic journalists. He noticed, however, that he hardly knew a single face, and was unacquainted with the amours of any of the women. He inquired for his friends. Muchross was not expected to live, Laura was underground, and her sister was in America. Joining in the general hilarity, he learnt that as the singer declined the prize-fighter was going up in popular estimation. A young and drunken lord offered to introduce him "to a very warm member."
He felt sure, however, that the Royal would stir in him the old enthusiasms, and his heart beat when he saw in a box Kitty Carew, looking exactly the same as the day he had left her; but she insisted on taking credit for recognizing him—so changed was he. He felt somewhat provincial, and no woman noticed him, and it was clear that Kitty was no longer interested in him. The conversation languished, he did not understand the allusions, and he was surprised and a little alarmed, indeed, to find that he did not even desire their attention.
A few weeks afterwards he received an invitation to a ball. It was from a woman of title, the address was good, and he resolved to go. It was to one of the Queen Anne houses with which Chelsea abounds, and as he drove towards it he noted the little windows aflame with light and colour in the blue summer night. On the carved cramped staircases women struck him as being more than usually interesting, and the distinguished air of the company moved him with pleasurable sensations. A thick creamy odour of white flowers gratified the nostrils; the slender backs of the girls, the shoulder-blades squeezed together by the stays, were full of delicate lines and tints. Mike saw a tall blonde girl, slight as a reed, so blonde that she was almost an albino, her figure in green gauze swaying. He saw a girl so brown that he thought of palms and cocoa-nuts; she passed him smiling, all her girlish soul awake in the enchantment of the dance. He said—
"No, I don't want to be introduced; she'd only bore me; I know exactly all she would say."
Studying these, he thought vaguely of dancing a quadrille, and was glad when the lady said she never danced. With a view to astonish her, he said—
"Since I became a student of Schopenhauer I have given up waltzing.
Now I never indulge in anything but a square."
For a few moments his joke amused him, and he regretted that John Norton, who would understand its humour, was not there to laugh at it. Having eaten supper he chose the deepest chair among the clustered furniture of the drawing-room, and watched in spleenic interest a woman of thirty flirting with a young man.
The panelled skirt stretched stiffly over the knees, the legs were crossed, one drawn slightly back. The young man sat awkwardly on the edge of the sofa nursing his silk foot. She looked at him over her fan, inclining her blonde head in assent from time to time. The young man was delicate—a red blonde. The wall, laden with heavy shelves, was covered with an embossed paper of a deep gold hue. A piece of silk, worked with rich flowers, concealed the volumes in a light bookcase. A lamp, set on a tall brass rod, stood behind the lady, flooding her hair with yellow light, and its silk shade was nearly the same tint as the lady's hair. The costly furniture, the lady and her lover, the one in black and white, the other in creamy lace, the panelled skirt extended over her knees, filled the room like a picture—an enticing but somewhat vulgar picture of modern refinement and taste. Mike watched them curiously.
"Five years ago," he thought, "I was young like he is; my soul thrilled as his is thrilling now."
Then, seeing a woman whom he knew pass the door on her way to the ball-room, he asked her to come and sit with him. He did so remembering the tentative steps they had taken in flirtation three years ago. So by way of transition, he said—