There he was sure to meet a young barrister ready to talk to him, and they returned together, swinging their sticks, happy in their bachelordom, proud of the old inns and courts. Often they stayed to look on the church, the church of the Knight Templars, those terrible and mysterious knights who, with crossed legs for sign of mission, and with long swords and kite-shaped shields, lie upon the pavement of the church.

One wet night, when every court and close was buried in a deep, cloying darkness, and the church seemed a dead thing, the pathetic stories of the windows suddenly became dreamily alive, and the organ sighed like one sad at heart. The young men entered; and in the pomp of the pipes, and in shadows starred by the candles, the lone organist sat playing a fugue by Bach.

"It is," said Mike, "like turning the pages of some precious missal, adorned with gold thread and bedazzled with rare jewels. It is like a poem by Edgar Allen Poe." Quelled, and in strange awe they listened, and when the music ceased, unable at once to return to the simple prose of their chambers, they lingered, commenting on the mock taste of the architecture of the dining-hall, and laughing at the inflated inscription over the doorway.

"It is worse," said Mike, "than the Middle Temple Hall—far worse; but I like this old colonnade, there is something so suggestive in this old inscription in bad Latin.

'Vetustissima Templariorum porticu
Igne consumptâ; an 1679
Nova hæc sumptibus medii
Templie extructa an 1681
Gulielmo Whiteloche arm
Thesauör.'"

Once or twice a week Hall dined at the Cock for the purpose of meeting his friends, whom he invited after dinner to his rooms to smoke and drink till midnight. His welcome was so cordial that all were glad to come. The hospitality was that which is met in all chambers in the Temple. Coffee was made with difficulty, delay, and uncertain result; a bottle of port was sometimes produced; of whiskey and water there was always plenty. Every one brought his own tobacco; and in decrepit chairs beneath dangerously-laden bookcases some six or seven barristers enjoyed themselves in conversation, smoke, and drink. Mike recognized how characteristically Temple was this society, how different from the heterogeneous visitors of Temple Gardens in the heyday of Frank's fortune.

James Norris was a small, thin man, dark and with regular features, clean shaven like a priest or an actor, vaguely resembling both, inclining towards the hieratic rather than to the histrionic type. He dressed always in black, and the closely-buttoned jacket revealed the spareness of his body. He was met often in the evening, going to dine at the Cock; but was rarely seen walking about the Temple in the day-time. It was impossible to meet any one more suasive and agreeable; his suavity was penetrating as his small dark eyes. He lived in Elm Court, and his rooms impressed you with a sense of cleanliness and comfort. The furniture was all in solid mahogany; there were no knick-knacks or any lightness, and almost the only æsthetic intentions were a few sober engravings—portraits of men in wigs and breastplates. He took pleasure in these and also in some first editions, containing the original plates, which, when you knew him well, he produced from the bookcase and descanted on their value and rarity.

Mr. Norris had always an excellent cigar to offer you, and he pressed you to taste of his old port, and his Chartreuse; there was whiskey for you too, if you cared to take it, and allusion was made to its age. But it was neither an influence nor a characteristic of his rooms; the port wine was. If there was fruit on the sideboard, there was also pounded sugar; and it is such detail as the pounded sugar that announces an inveterate bachelorhood. Some men are born bachelors. And when a man is born a bachelor, the signs unmistakable are hardly apparent at thirty; it is not until the fortieth year is approached that the fateful markings become recognizable. James Norris was forty-two, and was therefore a full-fledged bachelor. He was a bachelor in the complete equipment of his chambers. He was bachelor in his arm-chair and his stock of wine; his hospitality was that of a bachelor, for a man who feels instinctively that he will never own a "house and home" constructs the materiality of his life in chambers upon a fuller basis than the man who feels instinctively that he will, sooner or later, exchange the perch-like existence of his chambers for the nest-like completeness of a home in South Kensington.

James Norris was of an excellent county family in Essex. He had a brother in the army, a brother in the Civil Service, and a brother in the Diplomatic Service. He had also a brother who composed somewhat unsuccessful waltz tunes, who borrowed money, and James thought that his brother caused him some anxiety of mind. The eldest brother, John Norris, lived at the family place, Halton Grange, where he stayed when he went on the Eastern circuit. James was far too securely a gentleman to speak much of Halton Grange; nevertheless, the flavour of landed estate transpired in the course of conversation. He has returned from circuit, having finished up with a partridge drive, etc.

James Norris was a sensualist. His sensuality was recognizable in the close-set eyes and in the sharp prominent chin (he resembled vaguely the portrait of Baudelaire in Les Fleurs du Mal); he never spoke of his amours, but occasionally he would drop an observation, especially if he were talking to Mike Fletcher, that afforded a sudden glimpse of a soul touched if not tainted with erotism. But James Norris was above all things prudent, and knew how to keep vice well in hand.