'I smiled, of course, when I got your letter telling me that you had been to your sisters to ask them if they would take me as a schoolmistress in the convent, and I walked about smiling, thinking of your long innocent drive round the lake. I can see it all, dear man that you are, thinking you could settle everything, and that I would return to Ireland to teach barefooted little children their Catechism and their A, B, C. How often has the phrase been used in our letters! It was a pretty idea of yours to go to your sisters; you did not know then that you cared for me—you only thought of atonement. I suppose we must always be deceived. Mr. Poole says self-deception is the very law of life. We live enveloped in self-deception as in a film; now and again the film breaks like a cloud and the light shines through. We veil our eyes, for we do not like the light. It is really very difficult to tell the truth, Father Gogarty; I find it difficult now to tell you why I wrote all these letters. Because I liked you? Yes, and a little bit because I wished you to suffer; I don't think I shall ever get nearer the truth than that. But when I asked you to meet us abroad, I did so in good faith, for you are a clever man, and Mr. Poole's studies would please you. At the back of my mind I suppose I thought to meet him would do you good; I thought, perhaps, that he might redeem you from some conventions and prejudices. I don't like priests; the priest was the only thing about you I never liked. Was it in some vain, proselytizing idea that I invited you? Candidly, I don't know, and I don't think I ever shall. We know so very little about this world that it seems to me waste of time to think about the next. My notion is that the wisest plan is to follow the mood of the moment, with an object more or less definite in view.... Nothing is worth more than that. I am at the present moment genuinely interested in culture, and therefore I did not like at all the book you sent me, "The Imitation," and I wrote to tell you to put it by, to come abroad and see pictures and statues in a beautiful country where people do not drink horrid porter, but nice wine, and where Sacraments are left to the old people who have nothing else to interest them. I suppose it was a cruel, callous letter, but I did not mean it so; I merely wanted to give you a glimpse of my new life and my new point of view. As for this letter, Heaven knows how you will take it—whether you will hate me for it or like me; but since you wrote quite frankly to me, confessing yourself from end to end, I feel bound to tell you everything I know about myself—and since I left Ireland I have learned a great deal about myself and about life. Perhaps I should have gone on writing to you if Mr. Poole had not one day said that no good would come of this long correspondence; he suspected I was a disturbing influence, and, as you were determined to live in Ireland, he said it were better that you should live in conventions and prejudices, without them your life would be impossible.
'Then came your last letter, and it showed me how right Mr. Poole was. Nothing remains now but to beg your forgiveness for having disturbed your life. The disturbance is, perhaps, only a passing one. You may recover your ideas—the ideas that are necessary to you—or you may go on discovering the truth, and in the end may perhaps find a way whereby you may leave your parish without causing scandal. To be quite truthful, that is what I hope will happen. However this may be, I hope if we ever meet again it will not be till you have ceased to be a priest. But all this is a long way ahead. We are going East, and shall not be back for many months; we are going to visit the buried cities in Turkestan. I do not know if you have ever heard about these cities. They were buried in sand somewhere about a thousand years ago, and some parts have been disinterred lately. Vaults were broken into in search of treasure. Gold and precious stones were discovered, but far more valuable than the gold and silver, so says Mr. Poole, are certain papyri now being deciphered by the learned professors of Berlin.
'You know the name of Mr. Poole's book, "The Source of the Christian River"? He had not suspected that its source went further back than Palestine, but now he says that some papyri may be found that will take it far back into Central Asia.
'I am going with him on this quest. It sounds a little absurd, doesn't it? my going in quest of the Christian river? But if one thinks for a moment, one thing is as absurd as another. Do you know, I find it difficult to take life seriously, and I walk about the streets thinking of you, Father Gogarty, and the smile that will come over your face, half angry, half pleased, when you read that your schoolmistress is going to Central Asia in quest of the Christian river. What will you be doing all this time? You say that you cannot leave your parish because you fear to give scandal; you fear to pain the poor people, who have been good to you and who have given you money, and your scruple is a noble one; I appreciate and respect it. But we must not think entirely of our duties to others; we must think of our duties to ourselves. Each one must try to realize himself—I mean that we must try to bring the gifts that Nature gave us to fruition. Nature has given you many gifts: I wonder what will become of you?
'Very sincerely yours,
'NORA GLYNN.'
'Good God, how I love that woman!' the priest said, awaking from his reverie, for the clock told him that he had sat for nearly three-quarters of an hour, her letter in his hand, after having read it. And lying back in his armchair, his hands clasped, his eyes fixed on the window, listening to the birds singing in the vine—it was already in leaf, and the shadows of the leaves danced across the carpet—he sought to define that sense of delight—he could find no other words for it—which she exhaled unconsciously as a flower exhales its perfume, that joy of life which she scattered with as little premeditation as the birds scattered their songs. But though he was constantly seeking some new form of expression of her charm, he always came back to the words 'sense of delight.' Sometimes he added that sense of delight which we experience when we go out of the house on an April morning and find everything growing about us, the sky wilful and blue, and the clouds going by, saying, 'Be happy, as we are.'
She was so different from every other woman. All other women were plain instincts, come into the world for the accomplishment of things that women had accomplished for thousands of years. Other women think as their mothers thought, and as their daughters will think, expressing the thoughts of the countless generations behind and in front of them. But this woman was moved merely by impulses; and what is more inexplicable than an impulse? What is the spring but an impulse? and this woman was mysterious, evanescent as its breath, with the same irresponsible seduction. He was certain that she was at last clear to him, though she might become dark to him again. One day she had come to gather flowers, and while arranging her posy she said casually: 'You are a ruler in this parish; you direct it, the administration of the parish is your business, and I am the little amusement that you turn to when your business is done.' He had not known how to answer her. In this way her remarks often covered him with confusion. She just thought as she pleased, and spoke as she pleased, and he returned to his idea that she was more like the primitive woman than anybody else.
Pondering on her words for the hundredth time, they seemed to him stranger than ever. That any human being should admit that she was but the delight of another's life seemed at first only extraordinary, but if one considered her words, it seemed to signify knowledge—latent, no doubt—that her beauty was part of the great agency. Her words implied that she was aware of her mission. It was her unconscious self that spoke, and it was that which gave significance to her words.
His thoughts melted into nothingness, and when he awoke from his reverie he was thinking that Nora Glynn had come into his life like a fountain, shedding living water upon it, awakening it. And taking pleasure in the simile, he said, 'A fountain better than anything else expresses this natural woman,' controlled, no doubt, by a law, but one hidden from him. 'A fountain springs out of earth into air; it sings a tune that cannot be caught and written down in notes; the rising and falling water is full of iridescent colour, and to the wilting roses the fountain must seem not a natural thing, but a spirit, and I too think of her as a spirit.' And his thoughts falling away again he became vaguely but intensely conscious of all the beauty and grace and the enchantment of the senses that appeared to him in the name of Nora Glynn.