"I love you," he said aloud. He was not particularly aware of the meaning of the words, they had just been appropriate to the dream. If Farradyne had been daydreaming about dinner he probably would have been trying the strange triple tone on, "Please pass the mashed potatoes."
He tried it again. What Farradyne wanted to do was to say "I" in F; "Love" in A Natural; and "You" in E Flat, which would have been a nice chord in B Flat Minor and somehow appropriate to the context of the words. "I hate you" would have been just as likely.
Old Brenner-Hughes might have said, "That's very neat!" when he had seen Norma Hannon with the sun shining through her skirt. Or its equivalent, all coming out in one surprised grunt.
Carrying this line of thought still farther, Farradyne considered the original saboteur, who might have said, "That takes care of you, Farradyne," as he clobbered the relays in the Semiramide. And Mike Cahill, who might have cried, "I've been shot!" or more probably something completely unprintable.
Farradyne sat bolt upright. As a countersign to tell another hellflower operator your own identity it was a fine job. But could a whole language be constructed out of this three-tongued hodgepodge?
Or was his entire trend of thought based upon the ultimate hope of discovering something that would absolve him from the responsibility of the wreck of the Semiramide? Actually, what did he have to go on? An exclamation, a surprised grunt, a death cry. Absolutely nothing but his own suspicion. That plus the fact that Farradyne's ship had been subjected to some intercepted sabotage, by a hellflower operator, who had made a sound that might have been polytonal.
If nothing else, the fact that the dope-running gang was trying to clip him was enough for Farradyne to seek Clevis' help. He went down into the hold and started to wash the ends of the thorium drums.
Then he spent a lot of time tinkering with a little semi-circle of soft plastic material across the opening of which he stretched two, thin, flat strips of hard-surfaced waterproofed paper. As a boy, Farradyne had been bilked out of fifty cents for a gadget advertised in a cheap magazine that purported to give the user the powers of ventriloquism. It hadn't enabled Farradyne to throw his voice into a trunk but it had made a rather interesting bird call. Such a gimmick now might enable him to make a multiple tone.
Farradyne spent the remaining time of his trip from Pluto to Terra building the gizmo and practising with it until he could make a very odd moaning cry in three notes. Meanwhile he wondered whether Carolyn Niles would actually be on Terra to meet him.