"Your night crew—"
"You've given us a bit of trouble this morning," he informed me. "So I've taken the liberty of calling in the night crew for you." He pressed a button and a bunch came in and lined up as if for formal inspection. "Boys," said Walton quietly, "suppose you tell us what you know about Mr. Cornell's arrival here last night."
They nodded their heads in unison.
"Wait a minute," I snapped. "I want a reliable witness to listen to this. In fact, if I could, I'd like to have their stories made under oath."
"You'd like to register a formal charge? Perhaps of kidnapping, or maybe illegal restraint?"
"Just get me an impartial witness," I told him sourly.
"Very well." He picked up his telephone and spoke into it. We waited a few minutes, and finally a very prim young woman came in. She was followed by a uniformed policeman. She was carrying one of those sub-miniature silent typewriters which she set up on its little stand with a few efficient motions.
"Miss Mason is our certified public stenographer," he said. "Officer, I'll want your signature on her copy when we're finished. This is a simple routine matter, but it must be legal to the satisfaction of Mr. Cornell. Now, boys, go ahead and explain. Give your name and position first for Miss Mason's record."
It was then that I noticed that the night crew had arranged themselves in chronological order. The elderly gent spoke first. He'd been the night doorman but now he was stripped of his admiral's gold braid and he looked just like any other sleepy man of middle age.
"George Comstock," he announced. "Doorman. As soon as I saw the car angling out of traffic, I pressed the call-button for a bell boy. Peter Wright came out and was standing in readiness by the time Mr. Cornell's car came to a stop by the curb. Johnny Olson was out next, and after Peter had taken Mr. Cornell's bag, Johnny got into Mr. Cornell's car and took off for the hotel garage—"