Suppose the thief that clipped him intended to place Paul in a position where he could be captured easily. To take Paul's place to perform certain acts in Paul's name, while Paul was held captive. Then, once these acts were consummated Paul could be found in the wreck of a spacecraft or the ruin of a radio beacon on Proxima Centauri I.
But why? Columbus had been kicked around for having screwy ideas, and the Brothers Wright had been thoroughly laughed-at. But people did not try to murder characters who had cockeyed ideas. Of course, there was Galileo, but Galileo had publicized his screwy ideas, whereas Paul Grayson's theories were known to very few.
But Nora Phillips could not be held as part of that particular mob. It seemed to Paul that the woman had done a fine job towards keeping Paul hale, hearty, healthy, and imbued with ideas available only to a man in the finest of health of mind and body. If Nora belonged to some group intent on stopping Paul Grayson, she was working against them, too. For she had done a fine job of smoothing the headache out of his skull with fingers that acted with experience and practise.
On the other hand, Nora Phillips had behaved as though she wanted Paul to succeed, and she acted—if this were an act—as though she enjoyed her work.
So what had really happened last night when Paul Grayson was clipped unconscious?
Had Nora forestalled them—them?
Nora was quite a woman. Her loveliness was not of the untouchable, fragile, bandbox variety; perfection that must not be marred by a misplaced hair or a wrinkle in the frock—or a clue of rouge, printed offset from her own ripe lips to her own smooth cheek by Paul. Nora was all-desirable woman, and neither complete dishabille nor minor imperfection would mar her appeal. Paul recalled the lithe slenderness of her body. Her sculptured arms were molded with the smooth, well balanced muscle of fine tonus. Her waist was slender but not too soft—
"Hey! Are you there?"
"Yeah, Stacey. I was thinking."
"Don't think so hard."