[THE OLD STORY.]

IN these fast days of the period, when human life is of so little account that we sever its frail thread with as little compunction as we would pick a flower from its stem; when, in our hot haste, we drain the cup clear to the bitter lees, and, disappointed, plunge ourselves into the outer darkness; when a mist of error and frenzy settles down upon us, so dense that it hides from our gaze all that is True and Beautiful; when, in all the heavens, there is only the angriness of driving clouds, and no star shining—in these fast days, the mere recital of a solitary case, where a tired human being has gone to rest voluntarily, rather than bear the great burden of agony and scorn upon her weak shoulders any longer, only causes the indulgence of a moment's curiosity and wonderment. The case published in the columns of the Tribune this morning, of the suicide of "Augusta," seems to me, however, one over which we should pause and think.

Very little is given of her history, and yet enough to indicate that she was but eighteen years of age—that time in life when the world is clad in its brightest colors, when the heart is full of hope and the body full of the buoyancy of youth; that she was very intelligent; that she was very pretty; that she was very amiable, and beloved by all who knew her; that she had been utterly deserted by a brute; and that she still wanted to live—for, in her sad note, she says: "And yet, if there seemed the shadow of a hope to regain your love, once so true and tender, I would longer suffer the agony you have so ruthlessly thrown upon me."

To me, there is something inexpressibly sad in that last note:

"My Darling Percy: The dark clouds are gathering around the little girl you once loved, and who still clings to you in hope that your heart will soften; but, oh! dear one, to suffer the agony of this suspense is worse than death. You trifled with my susceptible heart, but I forgive you. I court death; and yet, if there seemed the shadow of a hope to regain your love, once so true and tender, I would longer suffer the agony you have so ruthlessly thrown upon me. O, come, come! Press me to your heart again, and then let me die.

Loving and true,

Augusta."

Deserted! And, alone in the world, she attempts to ward off, with her weak, little hands, those dark clouds gathering around her. Deserted! She still clings to all he has left her—a bitter memory. Deserted! She bears an agony which is worse than death. Deserted! She still loves and forgives him, who has utterly blotted out her bright young life. Deserted! She would still bear the great agony, if there was only the shadow of a hope that, at some day, she might regain that love. Deserted! And from her white lips comes that last mournful appeal—"Come! come! and let me die"—and then utter despair sets in, which is only another name for utter madness, for when hope dies, the light of reason goes out, too, and she goes to her death, "rashly importunate," out of the world, and out of life, to the arms of the Great Father.