“For in righteousness and truth the Lord giveth judgment.
“Glory be to God, all ye His servants, and ye that fear Him, all both humble and mighty.
“Hallelujah, for the omnipotent God hath exalted His kingdom.
“O, be joyful, let all be glad, to Him alone give honor.
“Behold, the heavens opened wide, and yonder a snow-white horse, and on him sat one called Steadfast and Faithful, who warreth and judgeth all with righteousness.
“And he treads the wine-press of wrath of the Lord God Almighty.
“Lo! a great name hath he written upon his vesture and upon his girdle.
“A King of kings and Lord of lords! Hallelujah! Amen!”
The scriptural selections are divided into three movements, written for double chorus (with the exception of two short barytone solos), orchestra, and organ, and are introduced by a brief instrumental prelude of a solemn but animated and exultant character, in the closing measures of which both choirs break in with jubilant shouts of “Hallelujah! praise the Lord!” The theme of the movement is the stirring old German song “Heil dir im Siegerkranz,”[17] which is worked up with consummate skill. The first part closes with a climax of power and contrapuntal effect hardly to be found elsewhere outside the choruses of Handel.
The second movement (“Glory be to God!”) is of the same general character as the first. After the opening ascription, a short fugue intervenes, leading to a fresh melody alternately sung by both choruses.