And lift my leaf and mix it with the wave.
The Sunrise comes! the Sunrise comes!
The Dewdrop slips into the shining sea.
Hail, High Deliverer, Hail!”
CORDER.
Frederick Corder, the English composer and conductor, was born at Hackney, London, Jan. 26, 1852. He was a student at the Royal Academy of Music in 1874, and in the following year gained the Mendelssohn scholarship. From 1875 to 1878 he studied at Cologne with Hiller, and in 1879 returned to London, where he engaged for a time in literary pursuits. His abilities as a writer are very clearly shown in the librettos to his works. In 1880 he was appointed conductor of the orchestra at the Brighton Aquarium, and since that time he has devoted himself to teaching and composition. His principal works are “In the Black Forest,” an orchestral suite, and “Evening on the Seashore,” idyl for orchestra (1876); the opera “Morte d’Arthur” (1877); the one-act opera “Philomel” (1879); cantata, “The Cyclops” (1880); “Ossian,” a concert overture for orchestra, produced by the London Philharmonic Society (1882); the cantata “Bridal of Triermain” (1886); and the opera “Nordisa,” founded upon a Norwegian subject and brought out with great success in January, 1887 by the Carl Rosa opera troupe. Mr. Corder is one of the most ambitious and promising of all the younger English composers, and his music shows in a special degree the influence of Wagner. That he has also literary talent of a high order is evinced by his contributions to periodical literature and the librettos of his last two works,—“The Bridal of Triermain” and “Nordisa.”
The Bridal of Triermain.
“The Bridal of Triermain” was written for the Wolverhampton (England) Festival of 1886, and was one of the most notable successes in the festival performances of that year. The subject is taken from Walter Scott’s poem of the same name. The adaptation has been made in a very free manner, but the main incidents of the poem have been carefully preserved. Sir Roland’s vision of the “Maid of Middle Earth;” the bard Lyulph’s recital of the Arthurian legend, which tells of Gyneth’s enchantment in the valley of St. John by Merlin, where she must sleep