Vienna, March 1, 1880.
As the various movements are all of the same general tone and character, though varied with all that skill and mastery of instrumental effect for which Haydn was so conspicuous, it is needless to describe each separately. By many of the musicians of his day it was considered one of his most sublime productions; and Bombet declares that Haydn on more than one occasion, when he was asked to which of his works he gave the preference, replied, “The Seven Words.”
It opens with an adagio for full orchestra, of a very sorrowful but impressive character. Then follow each of the Seven Words, given out in simple chorale form, followed by its chorus, namely:—
I.
PATIENCE.
“Father, forgive them; for they know not what they do.”
Chorus: “Lamb of God! Surely Thou hast borne our sorrows.”
II.
THE PENITENT FORGIVEN.
“Verily I say unto thee, this day shalt thou be with me in Paradise.”
Chorus: “Lord, have mercy on me after Thy great goodness.”
III.
THE MOURNERS.