Few more graceful little operas have been written than “The Elixir of Love.” Its heroine, Adina, a capricious country girl, is loved by Nemorino, a farmer, whose uncle lies at the point of death, also by Belcore, a sergeant, whose troops are billeted upon the neighboring village. Adina has both her lovers in suspense when Dr. Dulcamara, a quack, arrives in the village to sell his nostrums. Nemorino applies to him for a bottle of the Elixir of Love, and receives from him a bottle of ordinary wine with the assurance that if he drinks of it he can command the love of any one on the morrow. To make sure of its agreeable properties, he drinks the whole of it with the result that he accosts Adina in a half-tipsy condition, and so disgusts her that she promises to marry the sergeant in a week. In the mean time an order comes for the departure of the troops, and the sergeant presses her to marry him that day.
Adina gives her consent, and the second act opens with the assembling of the villagers to witness the signing of the marriage contract. While the principals and notary retire for the signing, Nemorino enters, and finding Dr. Dulcamara begs of him some charm that will make Adina love him; but as he has no money the quack refuses to assist him. Nemorino is in despair, but at this juncture the sergeant enters out of humor, as the capricious Adina has refused to sign until evening. Finding that Nemorino needs money, he urges him to enlist, and for the sake of the bonus of twenty crowns he consents. Nemorino hastens with the money to the quack, and obtains a second bottle of elixir which is much more powerful than the first. The girls of the village somehow have discovered that Nemorino’s uncle has died and left him a handsome property, of which good fortune, however, Nemorino is ignorant. They use all their charms to attract his favor. Nemorino attributes his sudden popularity to the elixir, and even the quack himself is surprised at the remarkable change in his customer. Nemorino now pays Adina off in kind by making her jealous. Dr. Dulcamara comes to her assistance, seeing an opportunity for the sale of more elixir. He explains its properties to her, tells her of Nemorino’s attachment, and advises her to try some of it. Struck with his devotion, she announces another change of mind to the sergeant, and bestows her hand upon the faithful Nemorino.
The opera abounds with bright and gay musical numbers, the most attractive of which are the long and characteristic buffo song, “Give Ear now, ye Rustic Ones,” in which Dr. Dulcamara describes his various nostrums to the villagers; the charmingly humorous duet, “Much obliged,” for Nemorino and Dr. Dulcamara; and the ensemble, “The Wine-cup full teeming,” in which the half-tipsy Nemorino appears in the finale of the first act. The prominent numbers of the second act are the beautiful duet, “What Affection and oh, how cruel,” for Adina and Dr. Dulcamara; the beautiful romanza for Nemorino, “In her Dark Eye embathed there stood” (“Una furtiva lacrima”), which is of world-wide popularity; and Adina’s gracefully melodious aria, “So much Joy is more than my Heart can contain.”
EICHBERG, JULIUS.
The Doctor of Alcantara.
[Comic operetta, in two acts; text by Wolfe. First produced at the Museum, Boston, Mass., April 7, 1862.]
PERSONAGES.
Dr. Paracelsus. Señor Balthazar. Carlos, his son. Perez,
Sancho, } porters. Don Pomposo, alguazil. Donna Lucrezia, wife of Dr. Paracelsus. Isabella, her daughter. Inez, her maid.[Serenaders, citizens, etc.]
The scene is laid in Alcantara, Spain; time, last century.
The first act of this operetta opens with a dainty serenade by Carlos, son of Señor Balthazar, to Señorita Isabella, daughter of Dr. Paracelsus, with whom he is in love. Isabella, who is intended for another by her mother, Donna Lucrezia, prefers this unknown serenader. As the song closes, Isabella, Lucrezia, and even the maid Inez claim it as a compliment, and quarrel over it in an effective buffo trio, “You Saucy Jade.” Three songs follow this number,—“Beneath the Gloomy Convent Wall,” “When a Lover is Poor,” and “There was a Knight, as I’ve been told,” in which the three women recite their unfortunate love affairs. As their songs close, the doctor enters with the announcement that a basket has arrived, ostensibly for Inez. The curious Lucrezia looks into it, and finds Carlos, who immediately jumps out and sings a passionate love-song, “I love, I love,” which the infatuated Lucrezia takes to herself. The love scene is interrupted by a sudden noise, and in alarm she hurries Carlos back into the basket and flies. Carlos in the mean time gets out again and fills it with books. The doctor and Inez enter, and to conceal the receipt of the basket from Lucrezia, as she might be angry with the maid, they remove it to a balcony, whence by accident it tumbles into the river. Their terror when they learn that a man was concealed in it makes an amusing scene, and this is heightened by the entrance of the Alguazil, who announces himself in a pompous bass song, “I’m Don Hypolito Lopez Pomposo,” and inquires into the supposed murder.
In the second act the situation becomes still further complicated when the doctor and Inez find Carlos in the house. Convinced that he is a detective, they seek to conciliate him by offering him wine, but by mistake give him a narcotic draught which the doctor had mixed for one of his patients. Carlos falls insensible, and thinking him dead, they hide him under a sofa. Meanwhile Señor Balthazar, the father of the youth whom Isabella supposes she is to be forced to marry, and who turns out to be Carlos, arrives to pass the night. As they have no bed for him, he sleeps upon the sofa over the supposed corpse of his own son. A quartette, “Good-night, Señor Balthazar,” follows, which is full of humor, mingled with ghostly terror, and grotesque in its effect, especially in the accompaniment. Daylight, however, dispels the illusion, and a happy dénouement is reached in the finale, “Hope, ever Smiling,” which is quite brilliant in character. The operetta is very amusing in its situations, the songs are pretty and tuneful, and the concerted music is particularly effective.