Spanish Vistas

by George Parsons Lathrop

The hotel guest, however, is on the whole regarded as a necessary evil—a nuisance tolerated only because some few of the finest race in the world can make money out of him. The landlord lived with his family on the ground-floor, and furnished little domestic tableaux as we passed in and out; but he never paid any attention to us, and even looked rather hurt at the intrusion of so many strangers into his hostelry. Nor did the high-born sewing-women who sat on the public stairs, and left only a narrow space for other people to ascend or descend by, consider it necessary to stir in the least for our convenience. The fonda had more of the old tavern or posada style about it than most hotels patronized by foreigners. The entrance door led immediately into a double court, where two or three yellow equipages stood; and from this the kitchen, storerooms, and stable all branched off in some clandestine way. Above, at the eaves, these courts were covered with canvas awnings wrinkled in regular folds on iron rods—sheltering covers which remained drawn from the first flood of the morning sun until after five in the afternoon. Early and late I used to look down into the inner court, observing the men and women of the household as they dressed fish and silently wrung the necks of chickens, or sat talking a running stream of nothingness by the hour, for love of their own glib but uncouth voices. People of this province intone rather than talk: their sentences are set to distinct drawling tunes, such as I never before encountered in ordinary speech, and their thick lisping of all sibilants, combined with the usual contralto of their voices, gives the language a sonorous burr, for which one soon acquires a liking. Sunday is the great hair-combing day in Toledo, if I may judge from the manner in which women carried on that soothing operation in their door-ways and patios; and in this inner court below my window one of the servants, sitting on a stone slab, enjoyed the double profit of sewing and of letting a companion manipulate her yard-long locks of jet, while others sat near, fanning themselves and chattering. Another time a little girl, dark as an Indian, came there in the morning to wash a kerchief at the stone tank, always brimming with dirty water; after which she executed, unsuspicious of my gaze, a singularly weird pas seul, a sort of shadow dance, on the pavement, and then vanished.

All the houses are roofed with heavy curved tiles, which fit together so as to let the air circulate under their hollow grooves; and a species of many-seeded grass sprouts out of these baked earth coverings, out of the ledges of old towers and belfries, and from the crevices of the great cathedral itself, like the downy hair on an old woman's cheek.

The view along almost any one of the ancient streets, which are always tilted by the hilly site, is wonderfully quaint in its irregularities. Every window is heavily grated with iron, from the top to the bottom story, even the openings high up in the cathedral spire being similarly guarded, until the whole place looks like a metropolis of prisons. In the stout doors, too, there are small openings or peep-holes, such as we had seen still in actual use at Madrid—the relics of an epoch when even to open to an unknown visitor might be dangerous. White, white, white the sunshine!—and the walls of pink or yellow-brown, of pale green and blue, are sown with deep shadows and broken by big archways, often surmounted by rich knightly escutcheons. Balconies with tiled floors turning their colors down toward the sidewalk stud the fronts, and long curtains stream over them like cloaks fluttering in the breeze. At one point a peak-roofed tower rises above the rest of its house with sides open to the air and cool shadow within, where perhaps a woman sits and works behind a row of bright flowering plants. Doves inhabited the fonda roof unmolested by the spiritless cats that, flat as paper, slept in the undulations of the tiles; for the Toledan cats and dogs are the most wretched of their kind. They get even less to eat than their human neighbors, which is saying a great deal. And beyond the territory of the doves my view extended to a slender bell-spire at the end of the cathedral, poised in the bright air like a flower-stalk, with one bell seen through an interstice as if it were a blossom. At another point the main spire rose out of what might be called a rich thicket of Gothic work. Its tall thin shaft is encircled near the point with sharp radiating spikes of iron, doubtless intended to recall the crown of thorns: in this sign of the Passion, held forever aloft, three hundred feet above the ground, there is a penetrating pathos, a solemn beauty.

III.

THE cathedral of Toledo, long the seat of the Spanish primate, stands in the first rank of cathedrals, and is invested with a ponderous gloom that has something almost savage about it. For six centuries art, ecclesiasticism, and royal power lavished their resources upon it; and its dusky chapels are loaded with precious gems and metals, tawdry though the style of their ornamentation often is. The huge pillars that divide its five naves rise with a peculiar inward curve, which gives them an elastic look of growth. They are the giant roots from which the rest has spread. Under the golden gratings and jasper steps of the high altar Cardinal Mendoza lies buried, with a number of the older kings of Spain, in a grewsome sunless vault; but at the back of the altar there is contrived with theatrical effect a burst of white light from a window in the arched ceiling, around the pale radiance of which are assembled painted figures, gradually giving place to others in veritable relief—all sprawling, flying, falling down the wall enclosing the altar, as if one were suddenly permitted to see a swarm of saints and angels careering in a beam of real supernatural illumination. A private covered gallery leads above the street from the archbishop's palace into one side of the mighty edifice; and this, with the rambling, varied aspect of the exterior, in portions resembling a fortress, with a stone sentry-box on the roof, recalls the days of prelates who put themselves at the head of armies, leading in war as in everything else. A spacious adjoining cloister, full of climbing ivy and figs, Spanish cypress, the smooth-trunked laurel-tree, and many other growths, all bathed in opulent sunshine, marks the site of an old Jewish market, which Archbishop Tenorio in 1389 incited a mob to burn in order that he might have room for this sacred garden. But the voices of children now ring out from the upper rooms of the cloister building, where the widows and orphans of cathedral servants are given free homes. Through this "cloister of the great church" it was that Cervantes says he hurried with the MS. of Cid Hamete Benengeli, containing Don Quixote's history, after he had bought it for half a real—just two cents and a half.

A temple of the barbaric and the barbarous, the cathedral dates from the thirteenth century: but it was preceded by one which was built to the Virgin in her lifetime, tradition says, and she came down from heaven to visit her shrine. The identical slab on which she alighted is still preserved in one of the chapels. A former inscription said to believers, "Use yourselves to kiss it for your much consolation," and their obedient lips have in time greatly worn down the stone. Later on, the church was used as a mosque by the infidel conquerors, and when they were driven out it was pulled down to be replaced by the present huge and solemn structure. But, by a compromise with the subjugated Moors, a Muzarabic mass (a seeming mixture of Mohammedan ritual with Christian worship) was ordained to be said in a particular chapel; and there it is recited still, every morning in the year. I attended this weird, half-Eastern ceremony, which was conducted with an extraordinary incessant babble of rapid prayer from the priests in the stalls, precisely like the inarticulate hum one imagines in a mosque. On the floor below and in front of the altar-steps was placed a richly-draped chest, perhaps meant to represent the tomb of Mohammed in the Caaba, and around it stood lighted candles. During the long and involved mass one of the younger priests, in appearance almost an imbecile, had the prayer he was to read pointed out for him by an altar-boy with what looked like a long knife-blade, used for the purpose. Soon after an incense-bearing acolyte nudged him energetically to let him know that his turn had now come. This was the only evidence I could discover of any progress in knowledge or goodness resulting from the Muzarabic mass.

At one time Toledo had, besides the cathedral, a hundred and ten churches. Traces of many of them are still seen in small arches rising from the midst of house-tops, with a bell swung in the opening; but the most have fallen into disuse, and the greatest era of the hierarchy has passed. The great priests have also passed, and those who now dwell here offer to the most unprejudiced eye a dreary succession of bloated bodies and brutish faces. Sermons are never read in the gorgeous cathedral pulpits, and the Church, as even an ardent Catholic assured me, seems, at least locally, dead. The priests and the prosperous shop-keepers are almost the only beings in Toledo who look portly; the rest are thin, brown, wiry, and tall, with fine creases in their hard faces that appear to have been drilled there by the sand-blast process.

The women, however, even in the humbler class, preserve a fine, fresh animal health, which makes you wonder how they ever grow old, until you see some tottering creature who is little more than a mass of sinews and wrinkles held together by a skirt and a neckerchief—the pañuclo universal with her sex. At noon and evening the serving-women came out to the fountains, distributed here and there under groups of miniature locust-trees, to fetch water for their houses. They carried huge earthen jars, or cantarones, which they would lug off easily under one arm, in attitudes of inimitable grace.