High walls hem in this open-air vestibule, where rows of orange-trees rustle their dense foliage in the warm wind. Their trunks are corpulent with age, for some of them date back to the last Moorish dynasty, and at one end stands the tank where followers of the Prophet washed themselves before entering in to pray. The Gate of Pardon, under the high-spired bell-tower, takes its name from the custom which obtained of giving criminals refuge by its portal. The murderer who could fly hither and gain the central aisle of the temple, directly opposite the gate across the court, was safe for shelter by the Mihrab, or inner shrine, at the farther end of the aisle. All the nineteen aisles formerly opened from the fragrant garden, though Catholic rule gives access by only three; but inside one sees at a glance the vast consecrated space which was so freely open to the Mussulmans—an interior covering several acres, not very lofty, yet imposing from its exquisite proportions. A wilderness, a cool, dark labyrinth of pillars from which light horseshoe arches rise, broken midway for the curve of another arch surmounting each of these, spreads itself out under the roof on every hand—grove of stone in a cave of stone stretching so far that the eye cannot follow its intricate regularity, its rare harmony of confusion. The rash Christian renovators who, overruling the protest of the city, undertook to remodel so exceptional a monument, covered the arches with whitewash; but many of them have been restored to the natural hues of their red and white marble. Imagine below them the pillars, smooth-shafted and with fretted capitals. Of old there were twelve hundred of them supporting the gilded beams and incorruptible larch of the roof, and a thousand still stand. Each is shaped from a single block, and many quarries contributed them. Jasper and porphyry, black, white, and red, emerald and rose marble, are all represented among them; though with their diversity they have this in common, that from the pavement up to about the average human height they have been worn dark, and even smoother than the workmen left them, by the constant touching and rubbing and leaning of generations who have loitered and worshipped in the solemn twilight that broods around them. A large number were appropriated from the old Roman temple which stood on the spot; others were plundered from temples at ancient Carthage; still others were brought entire from Constantinople. They typify the different powers that have been concerned in the making and unmaking of Spain, and one could almost imagine that in every column is concealed some petrified warrior of those conflicting races, waiting for the spell that shall bring him to life again.
On the surface of one of these marble cylinders is scratched a rude
and feeble image of Christ on the cross, hardly noticeable until pobr /> out. It is said to have been traced there by the finger-nail of a Christian captive who was chained to the pillar when it formed part of a dungeon somewhere else. He had ten years for the work, and enjoyed the advantage of a tool that would renew itself without expense whenever it began to wear out. I must say that we were touched by this dim record of the dead-and-gone prisoner's silent suffering and faith. The shock of doubt struck us only when, in another part of the mosque, we came upon another pillar against the wall, bearing an exact reproduction of the finger-nail sculpture, and furthermore provided with a holy-water basin and a lamp burning under the effigy of the captive, who appears to have been canonized. "How is this?" I asked the guide. "Here is the same thing over again!" He scrutinized me carefully, taking an exact measure of my credulousness, before he replied, "Ah, but the other is the real one!" It all seems to depend on which pillar gets the start.
But there is no deception whatever connected with the inner Mihrab, where there is a marvellous alcove marking the direction of Mecca, on the east. Its ceiling, in the shape of a quarter-globe, is cut from a single great piece of marble, which is grooved like a shell. And when the light from candles is thrown into this Arab chapel it glances upon elaborate enamelling on the surface, the vitreous glaze of minute and almost miraculous mosaic making it flash and sparkle with rays of the ruby, the emerald, the topaz, and diamond. There in the dusk the glittering splendor scintillates as brilliantly as it did eight hundred years ago, and shoots its beams upon the unwary eye as if it were a cimeter of the defeated race suddenly unsheathed for vengeance. In this place was kept the wondrous Koran stand of Al-Hakem II., which cost a sum equal now to about five million dollars. It disappeared a while ago—mislaid, it should seem, by some sacristan of orderly habits who was clearing up the rubbish, for no one appears to know where it went to. The sacred book within it was incased in gold tissue embroidered with pearls and rubies, and around the spot where it was enshrined the solid white marble floor is unevenly worn into a circular hollow, where the servants of the Prophet used to crawl seven times in succession on their hands and knees. This homage was paid by the brother of the Emperor of Morocco only a few years since, when he visited Spain, and indulged the luxurious woe of weeping over the fair empire his people had lost. The bewildering arabesques, the lines of which pursue and lose each other so mysteriously about the shrine, managing to form pious inscriptions in their intricate convolutions—by an exception to all other Hispano-Arabic decoration, which employs only stucco—are wrought in marble, frigid and stern as death, but embossed into a living grace as of vine tendrils.
Whetstone had been remarkably silent after entering the Mezquita. I fancied that he did not wholly approve of it. But after we had looked long at this epitome of the beautiful which I have just tried to sketch, he observed, impartially, in turning away, "I tell you, those fellows knew how to chisel some!" He had merely been trying to reduce the facts to their lowest terms.
Priests and boys were marching with crucifixes from the choir as we came away: the incense rolled up against the lofty smoke-dimmed altar; and the mild-faced celibate who played the organ sent harmonies of unusually rich music (performed at our guide's special request) reverberating among the thousand-columned maze of low arches. But my fancy went back to the time when gold and silver lamps had shed from their perfumed oils the only illumination there, and when the jewelled walls, smouldering in the faint light, had looked down upon the prostrate forms of robed and turbaned zealots. Then we passed out through the Court of Oranges into the street, with those forty towers of the cathedral wall again seen standing guard around it, and found ourselves once more in modern Cordova.
The breath of the South, the meridional aroma, welcomed us. The scent of the air in the neighboring Alcazar garden would of itself have been enough to tell us, in the dark, that we had entered Andalusia. That was beyond question a most delectable spot. A sort of fortress-prison bordered it, and immediately on the other side of the prison-wall blossomed the garden, where lemons and oranges and bergamot clambered rankly against the bricks, perfuming the whole atmosphere, and overblown roses dropped from their vines on to the paths. There were hedges of rosemary, and trees of pimento, and angular ribs of prickly cactus, carefully trained. From a balustraded terrace higher up descended a stone flight of steps, the massive stone guard of which on each side was scooped out so as to make a mossy bed for two streams of water perpetually flowing down and losing themselves in the secret courses that ministered to little scattered fountains, or laved the roots of the verdant tangle. Now and again a lizard darted from point to point, like an evil thought surprised in the heart of so much sweetness and freshness. Everywhere there was a cool gush and ripple of water, and some wide-spreading fig-trees made a pleasant bower in a bastion of the low garden-wall overlooking the famous river. From this post of vantage one can see the thick brown current slowly oozing by, and the ancient bridge which spans it, fortified at both ends, connecting the Cordova of to-day with the opposite bank, where the ancient city extended for two or three miles. With its great arched gate, Roman made and finely sculptured, this mellow light brown structure forms an effective link in the landscape, and below its piers stand several Moorish mills, disused, but as yet unbroken by age or floods.