[13] See p. 83.
[14] Introduction to Macbeth. Cambridge ed. Houghton Mifflin Co., Boston.
[15] Introduction to Marlowe’s Edward II. Tatlock and Martin. The Century Co.
[16] See Play Production in America. A. E. Krows. Henry Holt & Co., New York.
[17] Plays, pp. 33, 42. G. P. Putnam’s Sons, New York.
[18] J. W. Luce & Co., Boston.
[19] Théâtre Complet, vol. I. Calmann Lévy, Paris.
[20] Belles-Lettres Series. Sir A. W. Ward, ed. D.C. Heath & Co., Boston and New York.
[21] Not often does a dramatist succeed in making real and supposed time agree as well as does Sir Arthur Pinero in Act III of The Gay Lord Quex. From seven to nine pages of absorbing action come between one chiming of the quarter hour and the next. Though a stopwatch would quickly reveal the somewhat disordered condition of that boudoir clock, an auditor, absorbed in the action of the moment, merely feels his tension increase if he notes the passing of time.
[22] See p. 35.