Brede and Jones come from the house and discuss the view from the piazza. Brede is enthusiastic and compares it with that from the Matterhorn. Mrs. Brede and Mrs. Jones come from the house in time to hear “Matterhorn” and Mrs. Brede expresses surprise that her husband has climbed it. Mr. Brede, confused, says it was five years ago, and Mrs. Brede gently chides him for doing such a thing during the first year of their marriage. Mr. Jones and Mrs. Brede talk aside while Mr. Brede explains to Mrs. Jones that he had left his wife in New York some months after their marriage for a hasty trip to Europe and had climbed the Matterhorn then.
Mr. and Mrs. Brede go down the side steps and off at R.C. for a stroll. Mr. and Mrs. Jones discuss them, and decide that they are very “nice” people. During their talk it develops that while Mr. Brede had been telling Mr. Jones that Mrs. Brede had been in this country when he climbed the Matterhorn, Mrs. Brede had informed Mrs. Jones that her husband had left her at Geneva and afterwards taken her to Basle, where their first child was born.
At this point Mrs. Halkit comes from the house. She censures Mrs. Brede for not knowing how to care for her husband and children and it comes out that Mrs. Brede has told Mrs. Halkit that they have two children who have been left with her aunt, whereas Mr. Brede has told Mr. Jones that they have three children at present under the care of his mother-in-law.
Enter Major Halkit from the house. He criticises Mr. Brede, who purports to be looking for a business opening, for his failure to take a fine chance the Major has pointed out to him.
The party come to the conclusion that there is something queer about the couple and are about to call Jacobus when he appears, coming from the left. Before any of the boarders have a chance to speak, Jacobus asks some question about the numbering of streets in New York and the fact is brought out that Mr. Brede told Mrs. Jacobus, when he was engaging the room, that he lived at number thirty-four of his street, and that the day before Mrs. Brede had informed Mrs. Jacobus that their number was thirty-five....
A reader struggling through the paragraphs of this scenario finds very little that is dramatic because the dramatic values the writer feels in his sentences cannot be the reader’s till he learns that Mr. and Mrs. Brede are a newly married couple who wish to conceal the fact. Re-read the quotation with that in mind and all confusion disappears.
On the other hand, it is not always easy to convey needed preliminary exposition interestingly. When much is needed, there is always danger that the opening of the scenario will be talky and referential rather than definite and full of dramatic action. The following is by no means as bad an example as might be found of a slow opening caused by need for much historical exposition, but it certainly lacks gripping action:
SCENARIO OF CONISTON
When the curtain is raised, Millicent Skinner is working about; a second later Chester Perkins comes slinking in, looking back as though pursued by the Evil One, and close on his heels, another local politician, Mr. Dodd, of the Brampton prudential school committee, enters with the same stealthy and harassed air. Millicent twits them with having run away from Bijah Bixby who is at Jonah Winch’s store. They deny that they are afraid of Bije or any one. It is brought out in a sentence or two that Jethro Bass, Cynthia and Ephraim Prescott are away on their Washington trip, and that Bijah, knowing of Jethro’s absence, is not likely to come here, which is why the two men have chosen the yard for a refuge; as they have been planning petty treason against the political control of the town by Jethro Bass. Millicent laughs at them and goes in the house. Mr. Dodd and Chester recover their swagger and begin to discuss Bijah and his sneaking ways. Bob Worthington enters, goes to the porch and calls Millicent. She responds from a nearby window. He enquires when she expects Cynthia to return. She tells him they will be here today. Bob announces that he will return, a little later, and goes out. Chester and Dodd discuss Bob’s attention to Cynthia and how furious the elder Worthington will be if his son marries the ward of Jethro Bass. Then they drift back to their first topic and are soon absorbed in their wordy revolt against Jethro Bass and Bijah.
Chester. This town’s tired of puttin’ up with a king!