In a short scene at the piano, during which Katherine plays diminuendo, the fact is revealed that her father opposes the match between her and David; not because he does not like David but for reasons which he has not divulged to his daughter. This cloud passes by quickly, however.)
THE CONSULTATION
The persons of the play
| Marian. Katherine. Dr. Thomas Wells. Dr. Benjamin Crawford. |
The scene represents a sitting room in Marian’s home. It is very cheaply furnished. There is a door at back centre, and also one at R. At upper left is a curtained window, not practicable. In the centre is a table, on which is a lighted lamp. Near the window is a couch. There are chairs about the room, and a few cheap pictures on the walls. It is evening, and the room is dimly lighted.
[Diagram]
When the curtain rises, there is no one in the room, but in a moment the door at rear opens, and Katherine enters noiselessly. She is a pleasant looking woman of 30. She is followed by Dr. Wells, who closes the door behind him very softly. He is a young man, with a Van Dyke beard. The two go to right of table, and Katherine looks at the doctor inquiringly. He speaks with some hesitation.
Dr. Wells. You want the truth?
Katherine. Of course.
Dr. Wells. I think he’s dying. This is the crisis, and the chances are a thousand to one against him.