Jane. Break it down?
Aunt Sophy. Yes, this instant!
Jane. Oh, oh! Don’t do that! It’s not locked! ...
It may be interesting to compare the scenario of A Doll’s House from which Ibsen wrote his first draft with his original notes. Here is perfect illustration of the difference between sketchy notes which mean much to the writer and a scenario which at least broadly will convey to a reader the artistic and ethical purposes in the play the dramatist means to write.
NOTES FOR THE MODERN TRAGEDY
Rome, 19. 10, 78.
There are two kinds of spiritual law, two kinds of conscience, one in man and another, altogether different, in woman. They do not understand each other; but in practical life the woman is judged by man’s law, as though she were not a woman but a man.
The wife in the play ends by having no idea of what is right or wrong; natural feeling on the one hand and belief in authority on the other have altogether bewildered her.
A woman cannot be herself in the society of the present day, which is an exclusively masculine society, with laws framed by men and with a judicial system that judges feminine conduct from a masculine point of view.
She has committed forgery, and she is proud of it; for she did it out of love for her husband, to save his life. But this husband, with his commonplace principles of honour is on the side of the law and regards the question with masculine eyes.