Epilogue, [145]-[148].

Essentials—

chief, in drama, [16]-[27].

of motivation, [267].

in good scenario, [426]-[462].

Exits and entrances, for characterization, [287]-[294].

Exposition—

preliminary, [141]-[148], [166]-[183].

devices in, [167]-[173].

distinction between preliminary and later, [176]-[182].